Category: Review
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The Hunger
Antonio Pietrangeli’s 1965 black comedy ‘I Knew Her Well’ is one of its decade’s most undersung works.
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Josh O’Connor Makes ‘Wake Up Dead Man’ Seem Better Than It Is
The latest ‘Knives Out’ movie is a step down from its predecessors.
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‘The Annihilation of Fish’: Charles Burnett’s Rediscovered Midlife Romance
The filmmaker’s recently rediscovered 1999 movie is amiably off-kilter, but it sometimes seems tonally unsure.
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Parallel Lines
Zeinabu irene Davis’ one and only feature-length movie, 1999’s ‘Compensation,’ has gotten a well-deserved second life this year.
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‘An Autumn’s Tale’ is Perfectly Bittersweet
Mabel Cheung’s 1987 not-quite-romantic comedy celebrates love as a vessel for positive change.
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‘Autumn Leaves’: Joan Crawford at the Peak of Her Powers
The 1956 melodrama was also something of a last hurrah for the star.
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‘Peter Hujar’s Day’’s Deceptive Simplicity
Ira Sachs’ low-key, interview transcript-based two-hander is understatedly revealing.
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‘Charisma’ is Not Your Typical Eco-Thriller
But its otherworldly, cryptic chilliness is typical Kiyoshi Kurosawa.
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Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
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‘There’s No One Entry’: How the MoPOP’s Newest Exhibit is Exploring Hip-Hop History
For 425: The launch of the Museum of Pop Culture’s ‘Beats + Rhymes: A Collective Narrative of Hip-Hop’ exhibition coincides with the start of Hip-Hop History Month.
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‘Pieces of April’’s Lived-In Tension
Peter Hedges’ 2003 Thanksgiving-set family drama steers clear of sentimentality.
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Odds & Ends: Halloween Edition
Notes from the last month.
Peterson Reviews 