Category: Review
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Being Man’s Best Friend is Serious Business in ‘Pick of the Litter’
Following a quintet of puppies as they train to become guide dogs, this 2018 documentary is equal parts fascinating and feel-good.
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‘Max, My Love’ Could Stand to Be Sillier
This preposterously plotted comedy plays things a little too straight.
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The Everyday Brutality of ‘Au Hasard Balthazar’
On Robert Bresson’s account of a donkey’s hard life.
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‘Kedi’: A Charming, Easygoing Love Letter to Cats
The straightforward 2016 documentary gets to know Istanbul’s eye-poppingly large stray-cat population.
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‘The Black Stallion’’s Beautiful Surfaces
Though Carroll Ballard’s 1979 movie is one of the most ravishingly shot children’s films ever made, one might wish its storyline were as carefully crafted as its aesthetic splendor.
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The Seductive Spy Games of ‘Black Bag’
Plus: ‘Eephus’ is a quietly touching baseball movie.
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The Thoughtful Pessimism of ‘White Dog’
Samuel Fuller’s American swan song is characteristically sharp and cynical.
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‘The Cassandra Cat’ Feels Effortlessly Magical
On an affably strange 1963 comedy.
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‘Deep Blue Sea’: A ‘Jaws’ Riff for the Post-‘Jurassic Park’ Era
Renny Harlin’s creature feature gives you the goods without changing the formula too drastically.
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Walk on the Wild Side
The thematically rich ‘Cat People’ remains a high-water mark for 1940s horror.
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‘Antiporno’’s Productive Unsexiness
Sion Sono’s sui-generis 2016 feature abrasively and abstractly critiques the cultural and cinematic limitations — particularly as they relate to sexual expression — placed on women.
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‘Lisa’ is a Hidden Slasher-Movie Gem
The lived-in mother-daughter relationship at the center of co-writer and director Gary Sherman’s 1990 movie eclipses its conventional slasher-movie B plot.
Peterson Reviews 