Category: Review
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‘Monkey Man’ is Relentless — for Better and for Worse
Dev Patel’s directorial debut — which he also wrote, co-produced, and stars in — is frequently thrilling. It can also feel overstuffed.
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Fire and Rain
On ‘Running on Empty.’
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The Harrowing, Empathetic ‘Streetwise’
Martin Bell’s landmark movie about teenage runaways and outcasts getting by in downtown Seattle is a haunting group portrait.
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‘Jawbreaker’ Could Stand to Go Even Further
Obviously indebted to 1989’s ‘Heathers,’ the teen comedy needs to be finer-tuned for the darkness — and preposterousness — of its premise to fully work.
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Odds & Ends: March 2024
Notes from the last month.
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‘Come Drink with Me’: An Essential Wuxia Thriller
It also memorably features Cheng Pei-pei playing who many consider cinema’s first woman action heroine.
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Boo-Ya!
On ‘Jackie Brown.’
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‘Bandidas’ is Just Effective Enough to Do Its Dream Pairing Justice
Salma Hayek and Penélope Cruz, together at last.
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Pam Grier, in Charming Amateur Detective Mode, in ‘Friday Foster’
Grier’s final movie with American International Pictures is among her most effortlessly enjoyable vehicles.
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Guitar Hero Marnie Stern, Back and Better Than Ever, is Coming to Tacoma
The guitar god just put out her first album in a decade. Now, she’s hitting the road.
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‘Tótem’ is Moving Without Being Mawkish
Lila Avilés’ emotional second feature wisely doesn’t give into the melodramatic possibilities its gutting story poses.
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‘The Doll Squad’: An Inept Spy Thriller with an Undeniable Vision
Ted V. Mikels’ 1973 movie squanders its early promise, but it at least has the intriguing germ of an idea ‘Charlie’s Angels’ would soon improve on.
Peterson Reviews 