Category: Review
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On Steve McQueen’s So-Called Vanity Project
Notes on ‘Le Mans.’
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The Poignance of ‘Crossroads’
Watching Britney Spears in her one and only movie hits differently now than it might have in 2002.
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Crown Jewels
You like living inside ‘The Thomas Crown Affair.’
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‘Car Wash’ is a Winning Slice-of-Life Comedy
There are some memorable moments of slapstick in Michael Schulz’s affable ensemble film, but the movie is much more than its silliness.
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A Phoned-In ‘Getaway’
Almost nobody involved with ‘The Getaway’ seems very invested in the material.
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‘The Driver’ Cuts to the Chase
Walter Hill’s 1978 movie is a cat-and-mouse thriller at its most distilled.
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‘Bullitt’: An Aerodynamic Police Procedural
There’s nothing narratively remarkable about this by-the-books detective thriller; what is is its cool style and Steve McQueen’s artfully insouciant performance.
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Sleater-Kinney Forever
The influential Olympia rock outfit is releasing a new album this month — and celebrating 30 years as a band.
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Odds & Ends: December 2023
Notes from the last month.
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In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Ninety-three-year-old Frederick Wiseman’s 44th documentary trains its gaze on the Troisgros family and its various culinary pursuits.
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The Pleasures and Horrors of Self-Discovery in ‘Poor Things’ and ‘Monster’
New movies from Yorgos Lanthimos and Hirokazu Kore-eda, reviewed.
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‘Soul Food’’s Toxic Flavors
The film asks its central family unit to forgive and forget quite a lot for the sake of its happy ending.
Peterson Reviews 