Category: Review
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‘The Crime is Mine’: Murder is Their Business
François Ozon’s frothy screwball comedy homage harkens back to the heightened style of 2002’s ‘8 Women.’
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A Doomed, One-Sided Love in ‘Senso’
On Luchino Visconti’s sumptuous, devastating melodrama.
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‘Go Fish’: A Heartfelt, Pioneering Romantic Comedy
Rose Troche’s breakthrough was a milestone for lesbian representation.
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‘Mystic Pizza’ is an Essential Coming-of-Age Comedy
Roger Ebert now-famously predicted that the film’s three leads would soon become movie stars; the promising ebullience of their performances still shines through.
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Odds & Ends: January 2024
Notes from the last month.
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‘The Car’ is About What You’d Expect
A hybrid of ‘Christine’ and ‘Jaws,’ this thriller about a self-driving car that hits the gas only so that it can kill people isn’t necessarily bad, but it doesn’t do anything that interesting with its premise, either.
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On Steve McQueen’s So-Called Vanity Project
Notes on ‘Le Mans.’
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The Poignance of ‘Crossroads’
Watching Britney Spears in her one and only movie hits differently now than it might have in 2002.
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Crown Jewels
You like living inside ‘The Thomas Crown Affair.’
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‘Car Wash’ is a Winning Slice-of-Life Comedy
There are some memorable moments of slapstick in Michael Schulz’s affable ensemble film, but the movie is much more than its silliness.
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A Phoned-In ‘Getaway’
Almost nobody involved with ‘The Getaway’ seems very invested in the material.
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‘The Driver’ Cuts to the Chase
Walter Hill’s 1978 movie is a cat-and-mouse thriller at its most distilled.
Peterson Reviews 