Category: Review
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‘No Man of Her Own’ Makes You Take a Silly Premise Seriously
‘No Man of Her Own’ is as good as it is — at least before it fulfills its melodramatic obligations — because its writers and director Mitchell Leisen give it all maybe more emotional legitimacy than it needs.
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Talk to the Hand: On ‘Talk to Me’
In ‘Talk to Me,’ the hand that feeds also bites back.
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‘Claudine’ Finds Magic When It Can
Diahann Carroll and James Earl Jones have immediate chemistry in this great romantic comedy.
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Fly Me to the Moon
‘Flash Gordon’’s very-intentional one-dimensionality and arch artifice add up to something delectable and fun.
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‘Wham!’ and ‘Joy Ride’ Celebrate the Good Times
A new documentary and a new comedy, reviewed.
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Though Overlong, ‘Indiana Jones and the Dial of Destiny’ (Mostly) Delivers
Plus: Margaret Qualley and Christopher Abbott electrify the otherwise slight ‘Sanctuary.’
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Caped Crusaders
On the two movies that put a halt to the comic-strip movie boom of the early-to-mid-1990s.
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Richard Gere and Debra Winger Take ‘An Officer and a Gentleman’ to the Next Level
Taylor Hackford’s “An Officer and a Gentleman” is well-made and acted and sometimes emotionally effective. Its trouble is a fundamentally not that interesting premise.
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‘The Mack’ Benefits from Its Director’s Disinterest in Romanticization
None of the movie is rendered with the heightened, pulpy quality of similarly conceived movies of its decade — 1972’s ‘Superfly’ and 1975’s ‘Dolemite’ come to mind — even when some of its dialogue is unintentionally funny.
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In ‘No Hard Feelings,’ Jennifer Lawrence Finally Lets Loose
Plus: Elevated by a quietly stellar Scarlett Johansson performance, ‘Asteroid City’ is Wes Anderson’s best movie in nearly a decade.
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One Rhythm Nation, Under a Groove: On Janet Jackson at Climate Pledge
Jackson’s show at the Seattle venue was a reminder of her greatness.
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‘The Pornographers’ is an Amiable Dark Comedy
Shōhei Imamura’s dark comedy has a lot more on its mind than just sex for money.
Peterson Reviews 