Category: Review
-
A Fast and Frightening Night with L7
The iconic rock act celebrated the 30th anniversary of the seminal ‘Bricks Are Heavy’ at the Neptune on Sunday.
-
The Camera as a Vampire in ‘Rapture’
Iván Zulueta’s tech horror movie — in which a camera turns into a deadly force — blazed a trail for tech horror classics like ‘Pulse’ and ‘Ringu.’
-
Cate Blanchett Gives Her Best Performance Yet in ‘Tár’
Plus: Christian Tafdrup’s ‘Speak No Evil.’
-
‘Across the 110th Street’ is a Bleak, Ambivalent Police Procedural
The film is a high-water mark for the 1970s procedural.
-
‘Blue Collar”s Frankness Takes You Aback
‘Blue Collar’ doesn’t end on a hopeful note akin to the more widely seen, and still-good, mainstream unionization drama ‘Norma Rae,’ which came out the next year. It wades in, and stays put in, the hell of working a hard, badly paying job
-
She’s Done It Again: On Grace Jones at the Moore Theatre
The legendary septuagenarian put on a characteristically singular show in Seattle on Wednesday.
-
An Unforgettable Night with Kehlani
The pop star powered through what felt like a cursed stop on their Blue Water Road Trip tour Sunday evening at Seattle’s WAMU Theater.
-
‘The Killing Floor’ is an Essential Historical Drama
‘The Killing Floor’ is as much an illuminating history lesson as it is a great, impassioned movie about the indignities of labor and the importance of fighting for a seat at the table.
-
‘The Devil and Miss Jones’ Did ‘Undercover Boss’ First
Like how the film offers the unrealistic fantasy of a for-the-people mogul, we can only fantasize about a smarter, bolder version of ‘The Devil and Miss Jones.’
-
‘Norma Rae’ Still Invigorates
‘Norma Rae’ isn’t electrifying by force. Instead, just by carefully dramatizing the process of unionization, it captures the simple thrills of workplace organization — the pleasurable charge felt when you realize it’s possible to have a say in an arena where you never thought you’d have one.
-
‘Chameleon Street’ Still Feels a Step Ahead
Faking it till you make it is rarely as literal as it is in ‘Chameleon Street.’
-
‘Strike!’ Keeps Things on the Surface
‘Strike!’ is slight but pleasant, redeemed by a charming cast and a writer-director, Sarah Kernochan, whose fondness for her characters and subject matter is infectiously clear.
Peterson Reviews 