Category: Review
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Mapache’s Sunlit Sounds
The California folk-rock duo comes to Seattle next week.
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Kathleen Turner is a Knockout in ‘Crimes of Passion’
And so is Anthony Perkins.
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‘Miami Blues’ is a Cockeyed Procedural
Adapting George Willeford’s 1984 novel, writer-director George Armitage doesn’t lacquer this material over with the commonly romanticized gloss of a crime procedural.
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‘Who Are You, Polly Maggoo?’ is a Fashion-Industry Satire Made by Insiders
‘Who Are You, Polly Maggoo?’ has an in-your-face, in-a-rush look.
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‘Flux Gourmet’ is Peter Strickland’s Most Lighthearted — and Strangest — Movie Yet
Though it isn’t his best.
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‘Mirage’ is Shockingly Dull
Shouldn’t a movie where everybody is trying to either deceive or kill the main character make us feel something?
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‘Wife of a Spy’ is a Welcome Change of Pace for Kiyoshi Kurosawa
But the director, known best for his horror movies, doesn’t altogether file his usual sensibilities away.
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‘Thomasine & Bushrod’ is an Underappreciated Lovers-on-the-Run Movie
‘Thomasine & Bushrod’ remains one of the blaxploitation era’s best made, and most thoughtful, works.
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‘Bigger Than Life”s Resounding Anger
By ‘Bigger Than Life’’s end, which offers no resounding resolution, you feel practically pummeled by its driving dilemma.
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Halsey Brings Their Best Album Yet to Auburn
The pop star stopped by the White River Amphitheater last night.
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Good Times with Haim at WAMU Theater
A dispatch from the sister band’s Seattle show.
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‘Charley Varrick’ is an Expertly Constructed Thriller
One of its many wonders is how it moves to and from the several characters involved in this cat-and-mouse chase without losing any of its high-stress momentum.
Peterson Reviews 