Category: Review
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‘Heist’ Energizes the One-Last-Job Cliché
The performances are universally good. Everyone has a tight handle on so-called “Mamet speak”; no one ever comes across merely as a device for the wicked games to continue.
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‘Night Moves’: It’s Hard to Be a Hero
The most interesting thing about ‘Night Moves’ is not the details of its snarled-up narrative but the psychological and emotional complications that inform it.
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‘Get Shorty’: A Loan Shark’s Hollywood Dreams
‘Get Shorty’ is such a breezy movie that even the violence has a levity.
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Torment
On ‘The Lost Daughter’ and ‘The Humans.’
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‘Don’t Look Up’ Isn’t as Smart as It Thinks It Is
Adam McKay’s limitations contaminate more than just the film’s comedy.
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The Sweet-and-Sour Nostalgia of ‘Licorice Pizza’
Alana Haim hits you like a moonbeam.
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‘The Matrix Resurrections’ is Full of New Life
On Lana Wachowski’s new sequel.
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Judy Davis is Electrifying in ‘My Brilliant Career’
‘My Brilliant Career’’s ending feels like a beginning — the first stages of one’s potential finally being seen through.
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‘Broadcast News’ is a Great Romantic Comedy
Nothing exists in a simple binary in Albert L. Brooks’ dazzling rom-com/media satire hybrid.
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‘Mishima: A Life in Four Chapters’ is an Exhilarating Biopic
You don’t finish ‘Mishima’ with a holistic sense of who this man was. That doesn’t seem to be what Schrader has in mind, anyway.
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‘C’mon C’mon’ is One of the Year’s Loveliest Movies
Plus: ‘Benedetta.’
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‘The Hours’ Washes Over You
Despite the specificities of its characters’ pain, ‘The Hours’ finds universalities with such resounding precision that you finish it still underneath its clouds.
Peterson Reviews 