Category: Review
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‘Duelle’ Feels Neither Here Nor There
This is a willfully unpindownable gambol of a movie whose mysteriousness and dream-like quality are hypnotic virtues rather than alienating setbacks.
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‘The Package’ Does Exactly What It’s Supposed To
‘The Package’ is all smart and watchable without being transcendent.
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‘Bacurau’: Thoughtful Thrills
Filho and Dornelles seamlessly prop up fun without curtailing the very-real horrors of colonialism and political malfeasance their story evokes.
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In ‘A Hero,’ A Good Deed Goes Bad
In ‘A Hero,’ an act of good samaritanism slowly morphs into what feels like the onset of a curse.
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‘Heist’ Energizes the One-Last-Job Cliché
The performances are universally good. Everyone has a tight handle on so-called “Mamet speak”; no one ever comes across merely as a device for the wicked games to continue.
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‘Night Moves’: It’s Hard to Be a Hero
The most interesting thing about ‘Night Moves’ is not the details of its snarled-up narrative but the psychological and emotional complications that inform it.
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‘Get Shorty’: A Loan Shark’s Hollywood Dreams
‘Get Shorty’ is such a breezy movie that even the violence has a levity.
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Torment
On ‘The Lost Daughter’ and ‘The Humans.’
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‘Don’t Look Up’ Isn’t as Smart as It Thinks It Is
Adam McKay’s limitations contaminate more than just the film’s comedy.
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The Sweet-and-Sour Nostalgia of ‘Licorice Pizza’
Alana Haim hits you like a moonbeam.
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‘The Matrix Resurrections’ is Full of New Life
On Lana Wachowski’s new sequel.
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Judy Davis is Electrifying in ‘My Brilliant Career’
‘My Brilliant Career’’s ending feels like a beginning — the first stages of one’s potential finally being seen through.