Category: Review
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‘Silent Night, Deadly Night’: Bad Santa
Underrepresented in the typically cheery holiday-movie subgenre is the person for whom the season is legitimately nightmarish. ‘Silent Night, Deadly Night’ has a character who more than makes up for their representational absence.
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Celebration
On ‘Mr. Soul’ and ‘Zappa.’
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‘Freaky”s Bonkers Premise Works Against the Odds
‘Freaky’’s frankly insane conceit works mostly because of Vaughn and Newton, equally fervent in making sure there isn’t a stuntishness to their acting.
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More Money, More Problems
On ‘Possessor’ and ‘The Nest.’
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Trouble is My Business
On ‘The Long Goodbye’ and ‘California Split.’
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‘La Llorona”s Horrors Aren’t Confined to Fiction
It’s not immediately clear how ‘La Llorona,’ the excellent new film from Jayro Bustamante, relates to the 500-year-old legend from which it takes its title.
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The Limits and Revelations of ‘Portrait of Jason’
Even through the elision-heavy editing and its subject’s initially, almost defensively romantic storytelling, we see so much.
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‘Hollywood Shuffle’ Cuts Deep
The movie is a semi-autobiographical product of frustration for co-writer and director Robert Townsend.
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‘Atlantics’ is a Mesmerizing Debut from Mati Diop
It will likely not take many more movies for Diop to be included in the pantheon of great filmmakers.
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‘Dick Johnson is Dead’ is a Daring, Mostly Successful Documentary
‘Dick Johnson is Dead’ might make you appreciate life a little more.
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‘First Cow’ is a Tender Tale of Friendship
John Magaro’s and Orion Lee’s performances are perfectly poignant.
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‘Shampoo”s Sober Approach to the Sex Comedy
‘Shampoo’ is unaffected and immediate — unnervingly lifelike.
Peterson Reviews 