Category: Review
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‘La Llorona”s Horrors Aren’t Confined to Fiction
It’s not immediately clear how ‘La Llorona,’ the excellent new film from Jayro Bustamante, relates to the 500-year-old legend from which it takes its title.
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The Limits and Revelations of ‘Portrait of Jason’
Even through the elision-heavy editing and its subject’s initially, almost defensively romantic storytelling, we see so much.
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‘Hollywood Shuffle’ Cuts Deep
The movie is a semi-autobiographical product of frustration for co-writer and director Robert Townsend.
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‘Atlantics’ is a Mesmerizing Debut from Mati Diop
It will likely not take many more movies for Diop to be included in the pantheon of great filmmakers.
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‘Dick Johnson is Dead’ is a Daring, Mostly Successful Documentary
‘Dick Johnson is Dead’ might make you appreciate life a little more.
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‘First Cow’ is a Tender Tale of Friendship
John Magaro’s and Orion Lee’s performances are perfectly poignant.
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‘Shampoo”s Sober Approach to the Sex Comedy
‘Shampoo’ is unaffected and immediate — unnervingly lifelike.
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‘M’ is Fritz Lang at His Most Assured
Lang has said he made ‘M’ with mostly uncomplicated intentions — that he simply wanted to dissuade parental neglect. But, in hindsight, the movie is clear creative evidence of a man disillusioned.
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‘The Black Hole’ is Better Than a ‘Star Wars’ Ripoff
It’s still a failure, but it’s an interesting failure.
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‘The Raven’ is the Most Charming of Roger Corman’s Edgar Allan Poe Series
This is a rambunctious horror-adjacent movie frequently operating at the fever pitch of a farce.
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‘Messiah of Evil’ is Unforgettably Bone-Chilling
‘Messiah of Evil’ grabs a hold of one’s fear of the unknown and squeezes and squeezes.
