Category: Review
-
In ‘Original Cast Album: Company,’ Recording an Album is as Tense as a Thriller
One does not need to be familiar with ‘Company’ to be roused by its soundtrack’s making.
-
‘Society’: Sins of the Flesh
One might think the conceit of Brian Yuzna’s ‘Society’ was silly if there weren’t so much truth at its core.
-
It’s Gonna Rain
On ‘I May Destroy You’ and ‘Selling Sunset.’
-
‘A Quiet Place in the Country’ Has No Trouble Unsettling Us
Does ‘A Quiet Place in the Country’ belong to the haunted-house subgenre, or the ‘descending into madness’ subgenre?
-
Just Be Yourself
On ‘Sympathy for the Devil’ and ‘Let It Be.’
-
Rebirth
On ‘Malcolm X,’ ‘He Got Game,’ and ‘Inside Man.’
-
Wild Ones
On ‘Suzi Q’ and ‘The Go-Go’s.’
-
‘Angst’ is Relentless
In its commitment to uglifying the psychology and very nature of the mass murderer, ‘Angst’ arguably becomes subversively vital.
-
‘Mississippi Masala’: A ‘Romeo and Juliet’-Style Rom-Com with a Much Happier Ending
At the end of ‘Mississippi Masala,’ we don’t get an end-all, be-all resolution. Instead we stumble into a temporary clearing.
-
The Startling, Subversive Voyeurism of ‘Variety’
‘Variety,’ so wound up and tormented without a singular release, haunts.
-
A Star is Not Born in ‘Smithereens’
On Susan Seidelman’s devastating 1982 comedy.
-
‘Thirteen’: Rebel Girls
‘Thirteen’ is ultimately about as thick-stroked and (perhaps inadvertently) fear-stoking as an after-school special, just better-acted and more idiosyncratically made.
Peterson Reviews 