Category: Review
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It Would Almost Be Impolite Not to Be Enchanted by ‘A Matter of Life and Death’
On Michael Powell and Emeric Pressburger’s 1946 masterpiece.
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Ingrid Pitt Makes ‘The Vampire Lovers’ Worth Watching
Aside from Pitt and the way it gets us to root for a villain, ‘The Vampire Lovers’ isn’t very good on the whole.
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Paul Morrissey and Andy Warhol Do ‘Horror’
On ‘Flesh for Frankenstein’ and ‘Blood for Dracula.’
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The Deceptive Scope of ‘Ad Astra’
At its crux, ‘Ad Astra’ is an intimate and traditionalist father-son story.
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Goo
Two great Peter Jackson movies.
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The Familial Ruin of ‘Chinese Roulette’
The film has undoubtedly been made by a filmmaker preternaturally in touch with his sensibility.
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‘Henry: Portrait of a Serial Killer’ is as Bleak as You’d Expect, But It’s Worthwhile
The film is expectedly unpleasant, but the unpleasantness is never needless.
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‘Popcorn’: An Underappreciated Horror Satire
In a 2017 interview with The A.V. Club, Dee Wallace described the making of ‘Popcorn’ as a ‘true adventure’ — chaotic because of ever-shifting producers, directors, and questionable shooting conditions. But you can’t feel any of the bedlam in the finished product.
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On ‘Linda Ronstadt: The Sound of My Voice’
The documentary is a testament to the singer’s greatness — and the extent to which she’s underrated.
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Baubles
On ‘Glitter’ and ‘Xanadu.’
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‘The Cell’ Gives New Meaning to the Psychological Thriller
Its dedication to its imagery is primed to feel masturbatory. But Singh, like the best of cinematic stylists, is always in command of his craft, never too indulgent in what he’s offering.
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The Amiable Simplicity of ‘Coffee & Cigarettes’
Jarmusch, despite likely not having exerted too much energy in mapping out the movie, instills in the film a strange unity.
Peterson Reviews 