Category: the classics
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In ‘Parasite,’ the Laughs Cost You
On Bong Joon-ho’s immediate classic.
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On ‘Wanda’
On Barbara Loden’s sole feature-length project.
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It Would Almost Be Impolite Not to Be Enchanted by ‘A Matter of Life and Death’
On Michael Powell and Emeric Pressburger’s 1946 masterpiece.
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Paul Morrissey and Andy Warhol Do ‘Horror’
On ‘Flesh for Frankenstein’ and ‘Blood for Dracula.’
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Goo
Two great Peter Jackson movies.
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Vibrations
On ‘Monterey Pop’ and ‘Woodstock.’
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‘Trees Lounge’ is Great at Being a Bad Time
What’s most evocative about ‘Trees Lounge’ is that there are no obvious arcs, no excuses for the character, no bouts of for-the-sake-of-misery misery — it has an alive, slice-of-life quality about it that haunts.
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The Growing Pains of ‘Welcome to the Dollhouse’
Todd Solondz has fashioned a great cinematic Bildungsroman.
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‘The Wicker Man’ is a Nightmare You Can’t Wait to Revisit
Unlike in the movie, where an “appointment” with the eponymous structure is, spoiler alert, unappealing, any appointment with any copy of ‘The Wicker Man’ sounds conversely appealing
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On ‘Mikey and Nicky’
Notes on Elaine May’s unconventional buddy comedy.
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On ‘Once Upon a Time in Hollywood’
Notes on Quentin Tarantino’s 2019 epic.
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‘The Souvenir’ is a Delicate, Devastating Memory Movie
‘The Souvenir’ has a strange dichotomy between overwhelming intimacy and multilayered enigma.