Category: the classics
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‘Bigger Than Life”s Resounding Anger
By ‘Bigger Than Life’’s end, which offers no resounding resolution, you feel practically pummeled by its driving dilemma.
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‘Charley Varrick’ is an Expertly Constructed Thriller
One of its many wonders is how it moves to and from the several characters involved in this cat-and-mouse chase without losing any of its high-stress momentum.
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‘Hopscotch’ is a Laid-Back Caper
It feels wrong calling a spy or chase movie “laid back,” but I can’t think of a better way to describe ‘Hopscotch,’ which could be classified under both subgenres.
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‘Six Degrees of Separation’ Doesn’t Go Far Enough
Stockard Channing, though, is phenomenal.
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The Love Games of ‘César and Rosalie’
The movie is so likable and spiritedly acted that its flaws are only incidental in our overall enjoyment of it.
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There Are Scary Movies. Then There’s ‘Threads’
‘Threads’ reinforces the truth that no spectacle-driven horror movie is ever as scary as war.
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‘Death Watch’ is an Inspired, Prescient Reality-TV Satire
Romy Schneider gives a mesmeric performance wavering from heartrendingly restrained to unselfconsciously exposed.
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‘Innocents with Dirty Hands’ is Among Claude Chabrol’s Most Straightforwardly Entertaining Movies
In ‘Innocents with Dirty Hands,’ Chabrol’s uncharacteristically keyed-up thriller, few people say what they mean or are thinking what you think they are.
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Time is Having All the Fun in ‘The Hourglass Sanatorium’
It moves over there when you want it to go here; relentlessly zigging and zagging, it plays by rules so cryptic that after a while you have to settle into the fact that linearity is only bent and swirled around here.
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‘Cool World’ is Thoroughly Inept
I’m curious to see how Bakshi’s movie might have played out sans tampering.
Peterson Reviews 