Category: Reviews
-
‘Under Capricorn’ is Hardly the Fiasco It’s Been Made Out to Be
Alfred Hitchcock long insisted that 1949’s inconsistent period melodrama ‘Under Capricorn’ — which lost money, which got bad reviews upon release, which sat between commercial letdowns ‘Rope’ and ‘Stage Fright’ — was a failure.
-
The Purgatorial Drama of ‘My Brother’s Wedding’
I was less compelled by the plot’s movement than I was by how Burnett captures the dynamic between family members.
-
A Couple of Reasons to See ‘The Stud’
Though neither one exactly speaks to the quality of the movie itself.
-
You Can Handle ‘The Truth’
The disconnect between Binoche’s and Deneuve’s characters feels just right for a mother-daughter duo whose relationship has always been lopsided. But it’s too uncluttered and inconsistently introspective to stir.
-
Playing Your Song
On ‘Intermezzo’ and ‘A Woman’s Face.’
-
‘Gaslight’: Bad Love
This movie lays out a specific, common kind of torment that until then had not been so concisely asserted in the popular imagination.
-
Smile Now, Cry Later
On Maurice Pialat’s ‘Loulou’ and ‘Police.’
-
The Blissful Myopia of ‘Atlantic City’
Despite the overwhelming presences of failure and missed opportunity — like no matter how hard you try, you cannot effectively, cleanly, run away from your past — it still feels, to me, like an optimistic movie.
-
On Humphrey Bogart’s Last Move
‘The Harder They Fall’ is a solid, economic thriller.
-
The Good Old Days
‘Where the Boys Are’ and ‘Beach Party,’ reviewed.
-
‘Deep Cover’ Challenges Police Procedural Norms
On an invigorating cop noir.
-
The Overpowering Loneliness of ‘Separate Tables’
In ‘Separate Tables,’ carefully tucked-away secrets come to the fore
Peterson Reviews 