Category: Reviews
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Goldie Hawn Gives One of Her Funniest Performances in ‘Housesitter’
She and Steve Martin are so good that it doesn’t bother you much how preposterous the movie is.
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Too Much Too Soon in ‘Bright Lights, Big City’
Like the best-selling book on which it’s based, the movie is smart and efficient — has a certain elegance to it — without ever going anywhere particularly interesting.
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‘Swing Shift’: A Good Movie That Could Have Been Great
Rumor has it that Jonathan Demme’s WWII soap opera had been a masterpiece before his final cut was tampered with by Hawn and her producing partner.
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‘Are You There, God? It’s Me, Margaret’ is a Winning Coming-of-Age Movie
Plus: ‘Clock’ is intriguing, but ultimately ineffective, pregnancy horror.
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The Still-Raw Pain of ‘McQueen’
Released less than a decade after the tragic death of its subject, the Scottish fashion designer Alexander McQueen, ‘McQueen’ is a documentary whose overhanging sadness has the consistency of paint that hasn’t yet dried.
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‘Evil Dead Rise’ is a Relentlessly Good Scare
This bracing new sequel forsakes the original trilogy’s sense of humor for more straightforward frights.
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Diana Ross, Stranded, in ‘Mahogany’
She’s the only good thing about this dour, overly cynical fashion melodrama.
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‘Conan the Destroyer’ is a Lame Sequel
It does have its moments, though.
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Nicolas Cage Vamps It Up in ‘Renfield’
‘Renfield’ is unsurprisingly best when Cage is on screen.
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‘Designing Woman’ is Colorful Nonsense
This romantic comedy is bad at pretty much everything it tries, yet it manages to be pretty fun anyway.
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‘Air’ is Charming Nike Propaganda
Plus: ‘How to Blow Up a Pipeline’ is a tense eco-thriller.
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‘Vamp’ is a Showcase for Grace Jones’ Mere Presence
The multihyphenate doesn’t nearly get enough to do, but her handful of scenes loom largely over a surprisingly strong teen horror movie.
Peterson Reviews 