PETERSON REVIEWS
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Two Boris Karloffs is Better Than One in ‘The Black Room’
The actor is predictably excellent in a dual role.
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Artist Janelle Abbott Will Always Put Ethics First
For 425: Known for her zero-waste, fashion-forward output, the Eastside-raised artist behind the brand JRAT talks about her sustainability-minded principles, upcoming projects, and New York Fashion Week.
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‘Twins of Evil’ is Sharper Than You’d Think
Though mostly made to capitalize on the newly minted sex symboldom of identical-twin sisters Mary and Madeleine Collinson, this 1971 horror movie ends up being a decent critique of puritanical hypocrisy.
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Doubled Troubles in ‘Sinners’ and ‘The Shrouds’
For South Sound: New movies from Ryan Coogler and David Cronenberg, reviewed.
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‘Yumeji’ is an Unwieldy, Gorgeously Shot Quasi-Biopic
Seijun Suzuki’s movie about the eponymous painter and poet is almost completely incomprehensible — which proves to not be that bad a thing.
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It’s Obvious That Francis Ford Coppola Made ‘Tucker: The Man and His Dream’
It’s easy to see how this story of a beleaguered car-design pioneer would resonate with the greatness-preoccupied director.
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Short Takes: ‘The Wedding Banquet,’ ‘Grand Tour,’ and ‘The Ballad of Wallis Island’
For 425: New movies from Andrew Ahn, Miguel Gomes, and James Griffiths, reviewed.
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There Should Be More Romantic Films Like ‘The Photograph’
Writer-director Stella Meghie’s largely overlooked 2020 romantic drama feels like a throwback in the best way.
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‘Real Women Have Curves’ is an Early Showcase for America Ferrera
Especially now, her 2002 feature-acting debut feels like the announcement of a fully formed performer.
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‘Sacramento’ Doesn’t Go Far Enough
Directed, produced, written by, and starring Michael Angarano, this quasi-buddy comedy has moments of poignancy but stays too close to the surface.
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Jeffrey Wright is the Reason to Watch ‘Basquiat’
Julian Schnabel’s 1996 biopic is handsomely mounted, well-cast, and a little hollow.
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Brandon Bird is Inspired Every Day
For 425: The Northwest African American Museum’s recently appointed president and CEO discusses early successes, what he’s looking forward to in 2025, and why it isn’t necessarily a point of stress to always be thinking about work.
FEBRUARY 2026
The Theme is ‘Divorce’
ASDFJHGSD
The Slow-Burning Dread of ‘Affliction’
‘Affliction’ is a frightening drama about the ripple effects of abuse.
November 6, 2025
October 27, 2025
September 17, 2025
Next Lifetime
Apichatpong Weerasethakul’s ‘Uncle Boonmee Who Can Recall His Past Lives’ is a deceptively serene meditation on mortality.
January 29, 2026
Final Hours
Michael Roemer’s ‘Dying’ is breathtakingly honest about the emotional realities of terminal illness.
January 26, 2026
Mind Games
Mohammad Reza Aslani’s gorgeously shot melodrama ‘Chess of the Wind’ is a revelation that was very nearly lost forever.
January 19, 2026
Peterson Reviews 