PETERSON REVIEWS
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I’m on Spring Break. Posts will resume on April 20.
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‘Lucky’ is a Moving (Almost) Swan Song for Harry Dean Stanton
‘Lucky’ marks only the second time its 90-year-old star, prolific character actor Stanton, ever stood at the forefront of a movie.
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Short Takes: ‘The Northman,’ ‘Cha Cha Real Smooth,’ ‘Petite Maman,’ and ‘We’re All Going to the World’s Fair’
Four new movies.
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‘Shutter’ Makes Up for Its Lack of Originality with Clever Chills
This final twist in the story finds ‘Shutter’ at its best.
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You Love Looking at ‘One from the Heart’ and Not Much Else
Francis Ford Coppola’s follow-up to ‘Apocalypse Now’ is one of the best-looking not-so-good movies I’ve ever seen.
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Playing Dress-Up with ‘Aline’ and ‘All the Old Knives’
Céline Dion cosplay and duplicitous spy games, reviewed.
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‘Jigoku’: From Hell
‘Jigoku’ is an hour-and-40-minute-long movie that could do without the first hour.
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Hatchie is Making the Best Music of Her Career
The Australian shoegaze artist, whose excellent sophomore album is out next week, comes to Neumos in May.
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The (Mostly) Divine Excesses of ‘Ambulance’
Plus: Catch ‘Memoria’ while you still can.
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‘Cool World’ is Thoroughly Inept
I’m curious to see how Bakshi’s movie might have played out sans tampering.
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Realities in Flux in ‘Everything Everywhere All at Once’ and ‘After Yang’
A new Michelle Yeoh vehicle and the latest from Kogonada, reviewed.
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‘Secret Honor’ is a Startling Showcase for Philip Baker Hall
He’s unforgettable in a movie you might never be inclined to revisit.
APRIL 2026
The Theme is ‘High Anxiety’
ASDFJHGSD


The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.

March 27, 2026

February 4, 2026

November 6, 2025

Superheroines
On Julia Loktev’s towering, terrifying ‘My Undesirable Friends: Part I — Last Air in Moscow.’
March 30, 2026
Everything Everywhere
William Greaves’ ‘Symbiopsychotaxiplasm: Take One’ is almost 60 years old and still feels ahead of the curve.
March 11, 2026


Next Big Things
Gregory La Cava’s ‘Stage Door’ is often at once hysterically funny and brutally pragmatic about the personal toll a career in entertainment can take.
March 4, 2026











