PETERSON REVIEWS
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Brighter Days Ahead
Lino Brocka’s ‘Manila in the Claws of Light,’ from 1975, has rightfully long been heralded as the crown jewel of Filipino cinema.
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Sexy Beast
Alain Delon was at his most astonishing-looking in ‘Purple Noon,’ René Clément’s 1960 adaptation of Patricia Highsmith’s dark, seductive ‘The Talented Mr. Ripley.’
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Iggy Pop’s Raw Power
For 425: What I saw at the rock iconoclast’s show at Redmond’s Marymoor Park.
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‘To a Land Unknown’ is a Harrowing, Deeply Compassionate Thriller
Danish-Palestinian filmmaker Mahdi Fleifel’s long-in-the-making second feature is one of the year’s best movies.
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‘The Inkwell’ is Marred by Bad Judgment
Matty Rich’s second — and surprisingly last — movie is a pretty good coming-of-age drama until it reaches its ill-conceived conclusion.
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The Fascinating Parallels of ‘Million Dollar Mermaid’
Esther Williams plays, in this 1952 biopic, the only person who came close to her unusual type of stardom.
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Fools for Love
‘Pauline at the Beach,’ one of Éric Rohmer’s many vacation-set movies, is also among his best.
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‘Big Wednesday’ is an Elegiac Ode to the Joys of Youth
John Milius’ 1978 coming-of-age film effectively evokes nostalgic bittersweetness but is hampered by thinly written characters.
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‘Sorry, Baby’: Eva Victor’s Shattering, Clear-Eyed Filmmaking Debut
For 425: The comedian turned filmmaker’s first movie is by turns devastating and wryly funny.
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The Simple Pleasures of ‘Bhaji on the Beach’
Gurinder Chadha’s slice-of-life 1993 debut emotionally creeps up on you.
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How the Bainbridge Island Museum of Art is Celebrating a Seminal Northwest Artist
For 425: ‘James W. Washington, Jr.: Many Hats, One Spirit’ debuted at the museum on July 4.
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Proto-Noir ‘Out of the Fog’ is Engaging But Ineffective
The 1941 drama’s antifascist messages are muddled by its celebrations of conformity and the status quo.
FEBRUARY 2026
The Theme is ‘Divorce’
ASDFJHGSD
The Slow-Burning Dread of ‘Affliction’
‘Affliction’ is a frightening drama about the ripple effects of abuse.
November 6, 2025
October 27, 2025
September 17, 2025
Next Lifetime
Apichatpong Weerasethakul’s ‘Uncle Boonmee Who Can Recall His Past Lives’ is a deceptively serene meditation on mortality.
January 29, 2026
Final Hours
Michael Roemer’s ‘Dying’ is breathtakingly honest about the emotional realities of terminal illness.
January 26, 2026
Mind Games
Mohammad Reza Aslani’s gorgeously shot melodrama ‘Chess of the Wind’ is a revelation that was very nearly lost forever.
January 19, 2026
Peterson Reviews 