PETERSON REVIEWS
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‘Earth Girls Are Easy’ Could Stand to Be Campier
‘Earth Girls Are Easy’ revels in its presentation so much that it forgets a lot of the time to make fun of itself as well.
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Talk a Good Game
On ‘The Burnt Orange Heresy’ and ‘Class Action Park.’
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‘Between the Lines’: For the Love of the Game
In Joan Micklin Silver’s equal parts bighearted and devastating ‘Between the Lines,’ journalists are put on a pedestal — elevated like characters in a soap opera.
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In ‘Original Cast Album: Company,’ Recording an Album is as Tense as a Thriller
One does not need to be familiar with ‘Company’ to be roused by its soundtrack’s making.
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‘Society’: Sins of the Flesh
One might think the conceit of Brian Yuzna’s ‘Society’ was silly if there weren’t so much truth at its core.
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It’s Gonna Rain
On ‘I May Destroy You’ and ‘Selling Sunset.’
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‘A Quiet Place in the Country’ Has No Trouble Unsettling Us
Does ‘A Quiet Place in the Country’ belong to the haunted-house subgenre, or the ‘descending into madness’ subgenre?
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Cruel Summer
On ‘La Collectionneuse,’ ‘Long Weekend,’ and ‘La Ciénaga.’
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‘Never Rarely Sometimes Always’: An Essential Abortion Drama
On Eliza Hittman’s remarkable new movie.
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‘The Manchurian Candidate’ is an Arresting Thriller
Demme’s movie arguably creeps under the skin more than the more-unanimously acclaimed 1962 cinematization.
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On ‘Courage Under Fire’
This intermittently forceful war story, doubles as a kind of detective tale.
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‘Cobra’ is a Visual Tour-de-Force and Not a Lot Else
With its sound off, ‘Cobra’ is an exceptional entrée into the action genre.
MARCH 2026
The Theme is ‘Acting’
ASDFJHGSD
‘Notting Hill’: A Star-Crossed Romance
Julia Roberts and Hugh Grant do wonders to soften — but not completely distract from — the contrivances of Roger Michell’s romantic comedy.
February 4, 2025
November 6, 2025
October 27, 2025
Disobedience
John Sayles’ groundbreaking ‘Lianna’ was a landmark — albeit a criminally underseen one — for lesbian representation in cinema.
February 25, 2026
Trouble in Paradise
On the screwball-comedy perfection of 1937’s ‘The Awful Truth.’
February 23, 2026
The Heart of the Matter
Asghar Farhadi’s ‘A Separation’ more than sidesteps divorce-movie expectations.
February 16, 2026
Peterson Reviews 