Tag: 1970s
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‘The Mack’ Benefits from Its Director’s Disinterest in Romanticization
None of the movie is rendered with the heightened, pulpy quality of similarly conceived movies of its decade — 1972’s ‘Superfly’ and 1975’s ‘Dolemite’ come to mind — even when some of its dialogue is unintentionally funny.
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Diana Ross, Stranded, in ‘Mahogany’
She’s the only good thing about this dour, overly cynical fashion melodrama.
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‘The Longest Yard’ Understands Burt Reynolds’ Appeal
‘The Longest Yard’ is best enjoyed for the way it complements the platonic ideal of a star persona whose at-one-time refreshing irreverence would only retain its freshness a little while longer.
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The Painful Triumphs of ‘A Woman Like Eve’
This frank, ahead-of-its-time marriage drama trains its focus on a housewife who leaves her dominating husband for another woman.
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Though Minor in Stature, ‘A Very Natural Thing’ Feels Major
‘A Very Natural Thing”s quality is near equal to its importance.
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More Movies to Fall in Love with This February
Last February, I recommended some underappreciated movies worth checking out to ring in the year’s most romantic month for 425. Here are a few more.
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A Touching, Tentative Midlife Romance in ‘Starting Over’
Burt Reynolds, sans mustache, gives one of his best performances in Alan J. Pakula’s tender dramedy.
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Sally Field and Burt Reynolds Are Dynamite Together in ‘Smokey and the Bandit’
Jackie Gleason’s cigarette-voiced villain performance is a highlight, too.
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Elizabeth Taylor is Great in the Impenetrable ‘Identikit’
This 1974 vehicle is often classified as so bad it’s good, but like most of the oddities Taylor made in the late-1960s and early ’70s, ‘Identikit’ is way too interesting to be so easily discarded.
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Guests from Hell in ‘Death Game’
Peter S. Traynor’s helter-skelter black comedy turns the home-invasion thriller on its head.
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‘Across the 110th Street’ is a Bleak, Ambivalent Police Procedural
The film is a high-water mark for the 1970s procedural.
