Tag: 2000s
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Delirium
Increasingly reappraised after it was tepidly received in 2003, Jane Campion’s ‘In the Cut’ potently flips the script on the typically straight male gaze-dominated erotic thriller.
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The Unrelenting Grimness of ‘Frozen River’
Misty Upham and especially Melissa Leo are excellent in this frostbitten drama.
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‘Last Holiday’ is the Right Kind of Corny
Queen Latifah is a beacon of light in Wayne Wang’s heartwarming comedy-drama.
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‘The Fall’ is More Than Just a Feast for the Eyes
In addition to being a visual treat, Tarsem Singh’s criminally underseen fantasy film is also pretty moving.
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‘Mother’ Never Lets You Guess Its Next Move
You can never be too certain where Bong Joon-ho’s 2009 drama is going to go next.
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‘Waist Deep’ is Shallow Fun
This Tyrese Gibson- and Meagan Good-fronted noir benefits from being not much more than solidly made and entertaining.
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‘Visible Secret’ is a Low-Key, Surprisingly Spooky Romantic Comedy
Ann Hui’s 2001 movie posits what a rom-com might look like with a ‘Sixth Sense’-esque underlay.
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‘The Happiness of the Katakuris’’ Audacity Can Only Get It So Far
Takashi Miike’s exceedingly odd horror-comedy-musical hybrid is, at the very least, truly original.
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‘Nine Queens’ Keeps You on Your Toes
Writer-director Fabián Bielinsky’s filmmaking debut, now widely heralded in its native Argentina as a classic, is a smart, suspenseful con-artist thriller.
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‘Bones’ Feels a Little Fractured
Ernest Dickerson’s 2001 horror movie has a solid concept, but its stunt casting of Snoop Dogg feels like a mistake.
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‘Obsessed’: TV-Dinner ‘Fatal Attraction’
Aside from its climactic fight and fun performances from Beyoncé and Ali Larter, this 2009 soap opera pales in comparison to the 1980s and ‘90s domestic thrillers it’s clearly inspired by.
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Emily Blunt is Still a Revelation in ‘My Summer of Love’
Blunt’s darkly charismatic performance in her debut film remains one of her best — and exemplifies the kind of intense, slippery work you wish she did more of.
Peterson Reviews 