Tag: 2000s
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‘Shutter’ Makes Up for Its Lack of Originality with Clever Chills
This final twist in the story finds ‘Shutter’ at its best.
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‘Holiday Heart’ is a Feel-Bad Movie That Wants You to Feel Good
‘Holiday Heart’ positions its title character as an elementally angelic figure forgiving to the point of unbelievability.
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‘Brown Sugar’ Feels Like a Classic Before You’ve Even Finished It
‘Brown Sugar’ is one of the best romantic comedies of its decade.
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‘Vera Drake’ is Devastating
The arc of ‘Vera Drake’ engenders some thriller-like tension but never rises into the sensationalism it easily could.
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‘Heist’ Energizes the One-Last-Job Cliché
The performances are universally good. Everyone has a tight handle on so-called “Mamet speak”; no one ever comes across merely as a device for the wicked games to continue.
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Waves
On ‘Before Night Falls’ and ‘The Sea Inside.’
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‘The Hours’ Washes Over You
Despite the specificities of its characters’ pain, ‘The Hours’ finds universalities with such resounding precision that you finish it still underneath its clouds.
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‘Mondays in the Sun’ Feels Stuck in a Lull, But That’s Part of the Point
The movie was among Spain’s most decorated films of 2002.
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Dreams Deferred in ‘Riding in Cars with Boys’
Penny Marshall’s biopic about the writer Beverly Donofrio practically shakes with compassion.
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‘Pulse’ Makes Us Take a Silly Premise Seriously
It’s a nightmare-as-movie, where not much makes sense but where the environment in which everything takes place is so creepily immersive, feels true enough, that even when things get a hair tedious you still haven’t gotten rid of the pit that has formed in your gut.
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Detours
On ‘Bad Education.’
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The Keyed-Up Horrors of ‘Amores Perros’
You’re never at ease while watching it — almost everything about it is assaultive.
Peterson Reviews 