Tag: 2020s
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Short Takes: ‘Knock at the Cabin,’ ‘Pamela, A Love Story,’ and ’80 for Brady’
M. Night Shyamalan returns, a misunderstood icon sets the record straight, and veteran actresses inspire laughs in Tom Brady propaganda.
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‘Infinity Pool,’ Reviewed: An Interesting Premise, a Fun Mia Goth Performance, and Not a Lot Else
Plus: ‘To Leslie.’
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‘Skinamarink’ Makes You Feel Like a Little Kid Again
‘Skinamarink’ taps into a child’s fear of the dark — and the monsters maybe lurking with it — with chilling clarity.
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Short Takes: ‘Sick,’ ‘Broker,’ and ‘Women Talking’
A slasher, a road movie, and a stagey drama.
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The Best Movies of 2022
Looking back at a great year for cinema.
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‘Avatar: The Way of Water’ is a Stunning Achievement — and a Bit of a Bore
James Cameron’s long-delayed follow-up to 2009’s ‘Avatar’ doubles down on visual spectacle and inert drama.
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‘The Fabelmans’ is One of the Year’s Best Movies
‘The Fabelmans’ is, among other things, a sublime love letter to the joys of filmmaking.
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The 1975 Brought Its Very Best to Seattle
The English rock outfit stopped by Seattle’s WAMU Theater Friday night with a boisterous, thoughtful performance.
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Long Journeys and Bloody Appetites in ‘Glass Onion’ and ‘Bones and All’
‘Knives Out’ gets a sequel, and Luca Guadagnino tells a cannibal love story.
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‘She Said’ is a By-the-Numbers, But Mostly Effective, Journalism Drama
Plus: ‘The Menu’ has no bite.
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American Horror Stories in ‘Armageddon Time’ and ‘The Good Nurse’
New movies from James Gray and Tobias Lindholm.
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‘Aftersun’ is a Delicate, Quietly Devastating Father-Daughter Story
Plus: Jennifer Lawrence and Brian Tyree Henry are outstanding in ‘Causeway.’
Peterson Reviews 