Tag: 2020s
-
Misery Business
‘Splitsville’ and ‘Caught Stealing,’ reviewed.
-
The Late-Period Hits and Misses of ‘Honey Don’t!’ and ‘Highest 2 Lowest’
For 425: New movies from Ethan Coen and Spike Lee, reviewed.
-
The Powerful Testimonies of ‘Sudan, Remember Us’
Journalist and filmmaker Hind Meddeb’s latest project is an indispensable, multiperspective account of resistance.
-
‘Weapons’ is a Step Down for Zach Cregger
A busy narrative approach and some resonant topicality can’t obscure the much-buzzed-about movie’s limitations.
-
Romantic Commitment is a Nightmare in ‘Together’
For South Sound: ‘Together’ and ‘The Naked Gun,’ reviewed.
-
‘To a Land Unknown’ is a Harrowing, Deeply Compassionate Thriller
Danish-Palestinian filmmaker Mahdi Fleifel’s long-in-the-making second feature is one of the year’s best movies.
-
Back in Action
‘F1,’ ‘M3GAN 2.0,’ and ‘The Day the Earth Blew Up,’ reviewed.
-
A Compassionate Look at Dementia in ‘Familiar Touch’
For South Sound: Writer-director Sarah Friedland’s feature debut dramatizes an 80-something-year-old woman’s transition from self-sufficiency into assisted living with empathy and care.
-
The Perils of Passion in ‘Materialists’ and ‘Misericordia’
For 425: New movies from Celine Song and Alain Guiraudie, reviewed.
-
The Heavy Style of ‘The Phoenician Scheme’
Wes Anderson’s trademark aesthetic rigor poses thrills and problems in his latest movie.
-
Acts of Love
‘The Ugly Stepsister’ and ‘April,’ reviewed.
-
Rilo Kiley Are a Hit in Woodinville
For 425: Chateau Ste. Michelle kicked off this year’s edition of its long-running summer concert series with a show from the aughts rock fixture Rilo Kiley, which recently embarked on its first tour in nearly 20 years.
Peterson Reviews 