Tag: 2020s
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SIFF Diary: ‘Color Book,’ ‘Remaining Native,’ and More
What I saw at this year’s Seattle International Film Festival.
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‘Mission: Impossible — The Final Reckoning’ is a Disappointing Conclusion to a Great Franchise
A surprising lack of action and a surplus of exposition can make the movie a chore to sit through.
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‘They Cloned Tyrone’ is Amusing, But You Might Wish It Dug Deeper
Juel Taylor’s 2023 horror comedy is buoyed by charming performances from John Boyega, Teyonah Parris, and Jamie Foxx.
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Jack White Goes Back to Basics
For 425: The 49-year-old rock great made a two-evening appearance at the Paramount Theatre this week.
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Horror Shows
‘Final Destination Bloodlines’ and ‘Friendship,’ reviewed.
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The Past is Present
‘Caught by the Tides’ and ‘Fight or Flight,’ reviewed.
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Doubled Troubles in ‘Sinners’ and ‘The Shrouds’
For South Sound: New movies from Ryan Coogler and David Cronenberg, reviewed.
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Short Takes: ‘The Wedding Banquet,’ ‘Grand Tour,’ and ‘The Ballad of Wallis Island’
For 425: New movies from Andrew Ahn, Miguel Gomes, and James Griffiths, reviewed.
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There Should Be More Romantic Films Like ‘The Photograph’
Writer-director Stella Meghie’s largely overlooked 2020 romantic drama feels like a throwback in the best way.
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‘Sacramento’ Doesn’t Go Far Enough
Directed, produced, written by, and starring Michael Angarano, this quasi-buddy comedy has moments of poignancy but stays too close to the surface.
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Brandon Bird is Inspired Every Day
For 425: The Northwest African American Museum’s recently appointed president and CEO discusses early successes, what he’s looking forward to in 2025, and why it isn’t necessarily a point of stress to always be thinking about work.
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Ordinary People
‘Death of a Unicorn’ and ‘Bob Trevino Likes It,’ reviewed.
Peterson Reviews 