Tag: 2020s
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Greener Pastures
‘I Saw the TV Glow,’ ‘Furiosa,’ and ‘Evil Does Not Exist,’ reviewed.
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SIFF Diary: Rainbeers, Bad Grandmas, and Movies About Movies, Oh My!
What I’ve seen in the last week at the Seattle International Film Festival.
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‘It’s Just the Beginning’: Directors of New Lily Gladstone-Narrated Doc Discuss Project
‘Bring Them Home’ is screening this week at the Seattle International Film Festival.
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‘The Fall Guy’ is a Breezy Action Comedy
Ryan Gosling and Emily Blunt are endlessly charming in David Leitch’s latest.
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Odds & Ends: March 2024
Notes from the last month.
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Misadventurers
‘Problemista’ and ‘The Sweet East,’ reviewed.
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‘Tótem’ is Moving Without Being Mawkish
Lila Avilés’ emotional second feature wisely doesn’t give into the melodramatic possibilities its gutting story poses.
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The Soul and Sensitivity of ‘The Blue Caftan’
Though driven by a narrative that sounds straight out of a melodrama, this romantic drama proves more emotionally subtle than sensational.
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There’s Always Tomorrow
On ‘Sylvie’s Love’ and ‘One Night in Miami.’
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The Coming-of-Age Horrors of ‘Lisa Frankenstein’ and ‘How to Have Sex’
New movies from Zelda Williams and Molly Manning Walker, reviewed.
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‘The Crime is Mine’: Murder is Their Business
François Ozon’s frothy screwball comedy homage harkens back to the heightened style of 2002’s ‘8 Women.’
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Being There
‘The Zone of Interest’ and ‘Origin,’ reviewed.
Peterson Reviews 