Tag: 2020s
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Short Takes: ‘The Taste of Things,’ ‘Fallen Leaves,’ and ‘All Dirt Roads Taste of Salt’
New movies from Trần Anh Hùng, Aki Kaurismäki, and Raven Jackson.
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‘May December’: A Sly, Shivery Age-Gap Melodrama
Julianne Moore, Natalie Portman, and Charles Melton are all at the top of their game in Todd Haynes’ latest.
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‘The Killer’: A Cutthroat, Cool-to-the-Touch Thriller from David Fincher
Plus: ‘All of Us Strangers’ is a rare misfire from Andrew Haigh.
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The Hard Truths of ‘Anatomy of a Fall’ and ‘The Holdovers’
New movies from Justine Triet and Alexander Payne, reviewed.
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The Quiet Power of ‘Priscilla’
Sofia Coppola’s adaptation of Priscilla Presley’s ‘Elvis & Me’ is her best work since 2010’s ‘Somewhere.’
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Basic Instinct
‘Fair Play’ and ‘The Royal Hotel,’ reviewed.
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Love and War in ‘Strange Way of Life’
On Pedro Almodóvar’s new short.
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Short Takes: ‘Fremont,’ ‘Cassandro,’ and ‘The Origin of Evil’
Movies about immigration, wrestling pioneers, and rich people behaving badly.
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‘Dumb Money’ Plays Like a Better-Than-Average Reenactment
The comedy, based on the GameStop short squeeze of 2021, is well-acted and -written, but little about it suggests dramatization was necessary.
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‘The Nun II’ is a Barely Serviceable Sequel to a Barely Serviceable Spin-Off
Habit-clad demon Valak returns to wreak even more terror after being seemingly damned back to Hell in 2018’s ‘The Nun.’
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‘A Love Song’ is a Quiet, Minor-Key Romance
Revisiting the movie that put character actors Dale Dickey and Wes Studi at the forefront.
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Ayo Edebiri and Rachel Sennott Do Top-Tier Work in ‘Bottoms’
Plus: Virginie Efira is the reason to see twisty psychological thriller ‘Madeleine Collins.’
Peterson Reviews 