Tag: february 2020
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On Ingmar Bergman’s Only Horror Movie
The creative process can be nightmarish. But it’s never, at least in my experience, as nightmarish as it is in ‘Hour of the Wolf.’
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Gone Too Soon: On Hulu’s ‘High Fidelity’
‘High Fidelity’ sounds like just another unnecessary reboot on paper. Fortunately it proves itself more interesting than that.
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‘The Big Red One’: The Glory of War
‘The Big Red One’ has the look and feel of a far more romantic movie but is perhaps even more pessimistic than its more conventionally pessimistically-presenting counterparts.
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‘The Bad News Bears’ is a Terrific Sports Comedy
Especially first-rate are the scenes featuring just Walter Matthau and Tatum O’Neal, who, while also being the most well-drawn characters in ‘The Bad News Bears,’ have a funny, jagged onscreen relationship.
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‘Birds of Prey’: A Major Step Up from Its Predecessor
It’s one of the more invigorating DC-sanctioned superhero features in a while.
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The Horrors of Self-Optimization in ‘Seconds’
On Frankenheimer’s excellent black comedy.
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‘The Last of Sheila’ is an All-Time-Great Whodunit
On Stephen Sondheim and Anthony Perkins’ assiduously crafted mystery film.
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Chic Thrills
Notes on ‘The Unfaithful Wife,’ ‘Le Boucher,’ ‘Just Before Nightfall,’ ‘Violette Nozière,’ and ‘Betty.’
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‘The Rapture’ is an Essential Movie About Religion
It’s a shame for ‘The Rapture’ to continue going on little seen: It’s one of the most unforgettably tantalizing movies about religion I’ve seen.
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‘Babette’s Feast’: Excellent Gastro-Cinema
It’s a lyrical testament, both narratively and visually, to the often transcendental power of cuisine.
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On ‘Miss Americana’
This Taylor Swift documentary summons a surprising amount of sympathy.
Peterson Reviews 