Tag: october 2022
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‘Ghostwatch’ is a Masterwork of the Found-Footage Horror Subgenre
‘Ghostwatch’’s blacklisted quality only heightens the good time
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Bad Love in ‘Decision to Leave’ and ‘The Banshees of Inisherin’
New movies from Park Chan-wook and Martin McDonagh, reviewed.
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‘Stir of Echoes’ Feels Longer Than It Is
On a Kevin Bacon vehicle from 1999.
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A Fast and Frightening Night with L7
The iconic rock act celebrated the 30th anniversary of the seminal ‘Bricks Are Heavy’ at the Neptune on Sunday.
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Trouble in ‘Paradise’ and ‘Stars at Noon’
George Clooney and Julia Roberts reunite, and Claire Denis releases her second movie of 2022.
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‘Clockers’ is a Deeply Felt Coming-of-Age Movie
It’s not as much the murder itself ‘Clockers’ is most preoccupied with; it’s the context in which it takes place that interests Lee.
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‘Triangle of Sadness’ is a Nauseously Funny Black Comedy
New movies from Ruben Östlund and Dario Argento.
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Though a Historical First, ‘Hellbent’ is Only So-So
‘Hellbent’ is often billed as the first gay slasher movie.
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‘Dead Presidents’ Works Well, to a Point
On The Hughes Brothers’ follow-up ‘Menace II Society.’
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The Camera as a Vampire in ‘Rapture’
Iván Zulueta’s tech horror movie — in which a camera turns into a deadly force — blazed a trail for tech horror classics like ‘Pulse’ and ‘Ringu.’
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Cate Blanchett Gives Her Best Performance Yet in ‘Tár’
Plus: Christian Tafdrup’s ‘Speak No Evil.’
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‘Walker’ is Alex Cox at His Best
‘Walker’ starts not at the beginning of its subject’s life but just before he started down the path to his doom.
Peterson Reviews 