Tag: Review
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Desperados
‘Marty Supreme,’ ‘No Other Choice,’ and ‘Dead Man’s Wire,’ reviewed.
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Odds & Ends: 2025 Releases
Notes on a few 2025 releases I got to later than I’d planned on.
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Amanda Seyfried Gives One of the Year’s Great Performances in ‘The Testament of Ann Lee’
Mona Fastvold and Brady Corbet’s follow-up to ‘The Brutalist’ is characteristically bold and brainy.
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The Hunger
Antonio Pietrangeli’s 1965 black comedy ‘I Knew Her Well’ is one of its decade’s most undersung works.
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Josh O’Connor Makes ‘Wake Up Dead Man’ Seem Better Than It Is
The latest ‘Knives Out’ movie is a step down from its predecessors.
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‘The Mastermind’ and ‘The Secret Agent’ Aren’t What You Think
For 425: New movies from Kelly Reichardt and Kleber Mendonça Filho, reviewed.
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‘The Annihilation of Fish’: Charles Burnett’s Rediscovered Midlife Romance
The filmmaker’s recently rediscovered 1999 movie is amiably off-kilter, but it sometimes seems tonally unsure.
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‘Jay Kelly’ and ‘Hamnet’ Want You to Cry
For South Sound: New movies from Noah Baumbach and Chloé Zhao, reviewed.
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Parallel Lines
Zeinabu irene Davis’ one and only feature-length movie, 1999’s ‘Compensation,’ has gotten a well-deserved second life this year.
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‘Peter Hujar’s Day’’s Deceptive Simplicity
Ira Sachs’ low-key, interview transcript-based two-hander is understatedly revealing.
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‘Charisma’ is Not Your Typical Eco-Thriller
But its otherworldly, cryptic chilliness is typical Kiyoshi Kurosawa.
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Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
Peterson Reviews 