Tag: Review
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There Should Be More Romantic Films Like ‘The Photograph’
Writer-director Stella Meghie’s largely overlooked 2020 romantic drama feels like a throwback in the best way.
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‘Real Women Have Curves’ is an Early Showcase for America Ferrera
Especially now, her 2002 feature-acting debut feels like the announcement of a fully formed performer.
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‘Sacramento’ Doesn’t Go Far Enough
Directed, produced, written by, and starring Michael Angarano, this quasi-buddy comedy has moments of poignancy but stays too close to the surface.
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Jeffrey Wright is the Reason to Watch ‘Basquiat’
Julian Schnabel’s 1996 biopic is handsomely mounted, well-cast, and a little hollow.
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The Shops Around the Corner
On Agnès Varda’s ‘Daguerréotypes.’
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‘Dolls’ is a Different Kind of Children’s Horror Movie
Stuart Gordon’s 1987 horror-comedy strikes a nice balance between the horrific and humorous.
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Ordinary People
‘Death of a Unicorn’ and ‘Bob Trevino Likes It,’ reviewed.
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‘Max, My Love’ Could Stand to Be Sillier
This preposterously plotted comedy plays things a little too straight.
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The Everyday Brutality of ‘Au Hasard Balthazar’
On Robert Bresson’s account of a donkey’s hard life.
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‘Kedi’: A Charming, Easygoing Love Letter to Cats
The straightforward 2016 documentary gets to know Istanbul’s eye-poppingly large stray-cat population.
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The Seductive Spy Games of ‘Black Bag’
Plus: ‘Eephus’ is a quietly touching baseball movie.
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The Thoughtful Pessimism of ‘White Dog’
Samuel Fuller’s American swan song is characteristically sharp and cynical.
Peterson Reviews 