Tag: Review
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Barbara Stanwyck Elevates ‘Stella Dallas’
Stanwyck has a way of making this treacly, broad-stroked motherly-sacrifice soap opera seem better than it is.
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A Love Triangle Among the Ruins in ‘A Foreign Affair’
Billy Wilder’s 1948 romantic comedy has much more than love on the brain.
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Anna May Wong is Hypnotic in ‘Piccadilly’
Celebrated as the first Chinese-American movie star, Wong gets a rare vehicle worthy of her time and talent with this 1929 romantic drama.
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Cobwebs: On ‘The Landlord’ and ‘Georgia, Georgia’
Two with Diana Sands.
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Lily Gladstone is the Best Thing About ‘The Unknown Country’
Though she can only do so much for this dramatically underbaked, formally fussy drama from Morrisa Maltz.
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Sex is Power: On ‘Baby Face’
The movie, all about a woman’s quest to fuck her way to the top, is notorious. But it isn’t overly reliant on shock value.
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The Startling Empathy of ‘The Accused’
Loretta Young is tremendous in an unexpectedly progressive movie about the nightmares of rape culture.
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The Illicit Affairs of ‘Passages’ and ‘The Innocent’
New movies from Ira Sachs and Louis Garrel, reviewed.
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Snow White, Remixed, in ‘Ball of Fire’
In which Barbara Stanwyck stands in for the princess as a fast-talking lounge singer named Sugarpuss and seven stuffy professors do the dwarves.
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‘Fuego’ Lives Up to Its Title
Isabel Sarli has genuine star power.
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Sex with a Smile
On the two truest distillations of Mae West’s screen image.
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Death and Desire in ‘The Kneeling Goddess’
Roberto Gavaldón’s ‘The Kneeling Goddess’ is about people who not only won’t get what they most desire — the pursuit of it will bring them to their ruin.
Peterson Reviews 