Tag: Review
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Death and Desire in ‘The Kneeling Goddess’
Roberto Gavaldón’s ‘The Kneeling Goddess’ is about people who not only won’t get what they most desire — the pursuit of it will bring them to their ruin.
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‘No Man of Her Own’ Makes You Take a Silly Premise Seriously
‘No Man of Her Own’ is as good as it is — at least before it fulfills its melodramatic obligations — because its writers and director Mitchell Leisen give it all maybe more emotional legitimacy than it needs.
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Talk to the Hand: On ‘Talk to Me’
In ‘Talk to Me,’ the hand that feeds also bites back.
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A Fresh Start Gone Rotten in ‘East Side, West Side’
In ‘East Side, West Side,’ marriage becomes less a haven — something one should always aspire to — but something to be wary of.
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‘Claudine’ Finds Magic When It Can
Diahann Carroll and James Earl Jones have immediate chemistry in this great romantic comedy.
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Fly Me to the Moon
‘Flash Gordon’’s very-intentional one-dimensionality and arch artifice add up to something delectable and fun.
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Disasters
On ‘John Carter,’ ‘Battleship,’ and ‘Savages,’ the movies that made Taylor Kitsch’s infamous 2012.
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New Worlds, New Problems in ‘Barbie’ and ‘Oppenheimer’
Happy Barbenheimer Weekend to all who celebrated.
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The Superhuman Spectacle of Taylor Swift’s Eras Tour
The singer-songwriter, more popular than ever, stopped by Lumen Field for a two-night residency over the weekend.
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’21 Bridges’ is a Solid, If Unremarkable, Cop Thriller
The movie is additionally bolstered by strong performances from Chadwick Boseman, Stephan James, and Taylor Kitsch.
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Faster, Pussycat!
On ‘Grindhouse.’
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The ‘Mission: Impossible’ Franchise Defies the Odds — Again
Notes on the latest addition to a series that, in the last decade, seems only to get better and better.
Peterson Reviews 