Tag: Review
-
‘The Longest Yard’ Understands Burt Reynolds’ Appeal
‘The Longest Yard’ is best enjoyed for the way it complements the platonic ideal of a star persona whose at-one-time refreshing irreverence would only retain its freshness a little while longer.
-
‘One Fine Morning’ is a Poignant Drama About a Life at a Crossroads
‘One Fine Morning’ looks for the profound in the ordinary; Hansen-Løve and Seydoux make the search feel more than worthwhile.
-
‘Love Letters” Bad Romance
The movie, featuring one of Jamie Lee Curtis’ best performances, is like a yellow-paged romance potboiler with the emotional dishonesty taken out.
-
The White Lines and White Lies of ‘Cocaine Bear’ and ‘Huesera: The Bone Woman’
Elizabeth Banks’ silly new creature feature and an auspicious horror debut, reviewed.
-
The Painful Triumphs of ‘A Woman Like Eve’
This frank, ahead-of-its-time marriage drama trains its focus on a housewife who leaves her dominating husband for another woman.
-
‘Alien vs. Predator’ is About as Good as It Could Be
That this movie cursed with simultaneously reviving two flagging franchises is perfunctory fun is kind of a triumph.
-
Though Minor in Stature, ‘A Very Natural Thing’ Feels Major
‘A Very Natural Thing”s quality is near equal to its importance.
-
‘Magic Mike’s Last Dance’ and ‘Your Place or Mine’ Struggle to Find a Rhythm
A sequel and a rom-com.
-
Short Takes: ‘Knock at the Cabin,’ ‘Pamela, A Love Story,’ and ’80 for Brady’
M. Night Shyamalan returns, a misunderstood icon sets the record straight, and veteran actresses inspire laughs in Tom Brady propaganda.
-
‘Nappily Ever After’ is a Rocky, But Intermittently Touching, Empowerment Tale
Sanaa Lathan elevates material susceptible to limiting tropes and thorny conclusions.
-
Virginie Efira is Wonderful in ‘In Bed with Victoria’
‘In Bed with Victoria’ is a movie where the character that gives it its reason for being is better than the film itself.
-
‘Les Girls’ Does Both Too Much and Not Enough
This musical, historically significant for being Kelly’s last under an MGM contract originally ratified in 1942, feels less like a victory lap for the storied dancer-actor than a winded last few steps toward the finish line.
Peterson Reviews 