Tag: Review
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Secrets, Lies, and Love Triangles in ‘Both Sides of the Blade’ and ‘Where the Crawdads Sing’
On the new Claire Denis movie and a book adaptation.
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‘Peppermint Frappé’ Makes You Long for ‘Vertigo’
‘Peppermint Frappé’ is unsurprisingly not as good as its spiritual predecessor — any movie taking after Hitchcock’s masterpiece is foredoomed — but it isn’t by any means a shoddy-quality knockoff.
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‘Tremors II: Aftershocks’ is a Better-Than-Average Direct-to-Video Sequel — Which Isn’t Saying Much
Beyond not being irredeemably terrible, ‘Tremors 2’ doesn’t have too much to distinguish itself from its lots-of-fun predecessor.
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Kathleen Turner is a Knockout in ‘Crimes of Passion’
And so is Anthony Perkins.
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‘Who Are You, Polly Maggoo?’ is a Fashion-Industry Satire Made by Insiders
‘Who Are You, Polly Maggoo?’ has an in-your-face, in-a-rush look.
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‘Flux Gourmet’ is Peter Strickland’s Most Lighthearted — and Strangest — Movie Yet
Though it isn’t his best.
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‘Mirage’ is Shockingly Dull
Shouldn’t a movie where everybody is trying to either deceive or kill the main character make us feel something?
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‘Wife of a Spy’ is a Welcome Change of Pace for Kiyoshi Kurosawa
But the director, known best for his horror movies, doesn’t altogether file his usual sensibilities away.
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‘Thomasine & Bushrod’ is an Underappreciated Lovers-on-the-Run Movie
‘Thomasine & Bushrod’ remains one of the blaxploitation era’s best made, and most thoughtful, works.
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Emma Thompson Gives One of Her Best, Boldest Performances in ‘Good Luck to You, Leo Grande’
Plus: ‘Mad God,’ visual-effects master Phil Tippett’s new passion project, is among the year’s most visually thrilling, original movies.
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Halsey Brings Their Best Album Yet to Auburn
The pop star stopped by the White River Amphitheater last night.
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Good Times with Haim at WAMU Theater
A dispatch from the sister band’s Seattle show.
Peterson Reviews 