Tag: Review
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‘Powwow Highway’ is an Exemplary Road Movie
A Martinez and Gary Farmer are terrific in Jonathan Wacks’ 1989 comedy-drama.
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‘Weapons’ is a Step Down for Zach Cregger
A busy narrative approach and some resonant topicality can’t obscure the much-buzzed-about movie’s limitations.
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The Boundless Energy of ‘She Shoots Straight’
Corey Yuen’s 1990 revenge thriller is a masterclass in action filmmaking.
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Frenemy Melodrama ‘The Turning Point’ Lets Shirley MacLaine and Anne Bancroft Down
The 1977 Oscar nomination-gobbling soap opera is far more tedious than one might expect.
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Brighter Days Ahead
Lino Brocka’s ‘Manila in the Claws of Light,’ from 1975, has rightfully long been heralded as the crown jewel of Filipino cinema.
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Sexy Beast
Alain Delon was at his most astonishing-looking in ‘Purple Noon,’ René Clément’s 1960 adaptation of Patricia Highsmith’s dark, seductive ‘The Talented Mr. Ripley.’
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Iggy Pop’s Raw Power
For 425: What I saw at the rock iconoclast’s show at Redmond’s Marymoor Park.
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‘To a Land Unknown’ is a Harrowing, Deeply Compassionate Thriller
Danish-Palestinian filmmaker Mahdi Fleifel’s long-in-the-making second feature is one of the year’s best movies.
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The Fascinating Parallels of ‘Million Dollar Mermaid’
Esther Williams plays, in this 1952 biopic, the only person who came close to her unusual type of stardom.
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Fools for Love
‘Pauline at the Beach,’ one of Éric Rohmer’s many vacation-set movies, is also among his best.
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‘Big Wednesday’ is an Elegiac Ode to the Joys of Youth
John Milius’ 1978 coming-of-age film effectively evokes nostalgic bittersweetness but is hampered by thinly written characters.
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‘Sorry, Baby’: Eva Victor’s Shattering, Clear-Eyed Filmmaking Debut
For 425: The comedian turned filmmaker’s first movie is by turns devastating and wryly funny.
Peterson Reviews 