Tag: Review
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‘Between the Lines’: For the Love of the Game
In Joan Micklin Silver’s equal parts bighearted and devastating ‘Between the Lines,’ journalists are put on a pedestal — elevated like characters in a soap opera.
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‘Society’: Sins of the Flesh
One might think the conceit of Brian Yuzna’s ‘Society’ was silly if there weren’t so much truth at its core.
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‘A Quiet Place in the Country’ Has No Trouble Unsettling Us
Does ‘A Quiet Place in the Country’ belong to the haunted-house subgenre, or the ‘descending into madness’ subgenre?
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‘Never Rarely Sometimes Always’: An Essential Abortion Drama
On Eliza Hittman’s remarkable new movie.
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‘The Manchurian Candidate’ is an Arresting Thriller
Demme’s movie arguably creeps under the skin more than the more-unanimously acclaimed 1962 cinematization.
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On ‘Courage Under Fire’
This intermittently forceful war story, doubles as a kind of detective tale.
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‘Cobra’ is a Visual Tour-de-Force and Not a Lot Else
With its sound off, ‘Cobra’ is an exceptional entrée into the action genre.
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Just Be Yourself
On ‘Sympathy for the Devil’ and ‘Let It Be.’
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‘Phase IV’ Expands on Monster-Movie Limitations
On Saul Bass’ sole directing effort.
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‘Special Effects’ is a Plasticky Hitchcock Homage
‘Special Effects’ brims with good ideas, but a surplus of good but iffily executed ideas do not a good movie make.
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Strange Days
On ‘Host’ and ‘She Dies Tomorrow.’
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‘Mississippi Masala’: A ‘Romeo and Juliet’-Style Rom-Com with a Much Happier Ending
At the end of ‘Mississippi Masala,’ we don’t get an end-all, be-all resolution. Instead we stumble into a temporary clearing.
Peterson Reviews 