Tag: Review
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You Want ‘Phantom Lady’ to Get Weirder Than It Does
‘Phantom Lady’ has a decent climactic twist, but it’s whodunit 101 — too straightforward for a movie that practically invites us to imagine alternative, more nightmarish scenarios.
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The Communication Breakdowns of ‘Howards End’
This ambitious, nearly two-and-a-half-hour-long drama additionally functions as a romance, a cultural critique, a comedy of manners, and an ensemble piece.
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‘Fun with Dick and Jane’ is No Fun
The 1977 comedy leaves a bad taste in the viewer’s mouth.
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Rebel Rebel
On ‘Cuties’ and ‘Mulan.’
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‘Earth Girls Are Easy’ Could Stand to Be Campier
‘Earth Girls Are Easy’ revels in its presentation so much that it forgets a lot of the time to make fun of itself as well.
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Talk a Good Game
On ‘The Burnt Orange Heresy’ and ‘Class Action Park.’
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‘Between the Lines’: For the Love of the Game
In Joan Micklin Silver’s equal parts bighearted and devastating ‘Between the Lines,’ journalists are put on a pedestal — elevated like characters in a soap opera.
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‘Society’: Sins of the Flesh
One might think the conceit of Brian Yuzna’s ‘Society’ was silly if there weren’t so much truth at its core.
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‘A Quiet Place in the Country’ Has No Trouble Unsettling Us
Does ‘A Quiet Place in the Country’ belong to the haunted-house subgenre, or the ‘descending into madness’ subgenre?
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‘Never Rarely Sometimes Always’: An Essential Abortion Drama
On Eliza Hittman’s remarkable new movie.
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‘The Manchurian Candidate’ is an Arresting Thriller
Demme’s movie arguably creeps under the skin more than the more-unanimously acclaimed 1962 cinematization.
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On ‘Courage Under Fire’
This intermittently forceful war story, doubles as a kind of detective tale.
Peterson Reviews 