Tag: Review
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A Couple of Reasons to See ‘The Stud’
Though neither one exactly speaks to the quality of the movie itself.
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Introspection
On ‘Stromboli’ and ‘Journey to Italy,’ two crucial collaborations between Ingrid Bergman and Roberto Rossellini.
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You Can Handle ‘The Truth’
The disconnect between Binoche’s and Deneuve’s characters feels just right for a mother-daughter duo whose relationship has always been lopsided. But it’s too uncluttered and inconsistently introspective to stir.
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Playing Your Song
On ‘Intermezzo’ and ‘A Woman’s Face.’
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‘Gaslight’: Bad Love
This movie lays out a specific, common kind of torment that until then had not been so concisely asserted in the popular imagination.
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The Blissful Myopia of ‘Atlantic City’
Despite the overwhelming presences of failure and missed opportunity — like no matter how hard you try, you cannot effectively, cleanly, run away from your past — it still feels, to me, like an optimistic movie.
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On Humphrey Bogart’s Last Move
‘The Harder They Fall’ is a solid, economic thriller.
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On ‘The Watermelon Woman’
Notes on Cheryl Dunye’s personal, inventive drama.
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The Good Old Days
‘Where the Boys Are’ and ‘Beach Party,’ reviewed.
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‘Deep Cover’ Challenges Police Procedural Norms
On an invigorating cop noir.
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The Overpowering Loneliness of ‘Separate Tables’
In ‘Separate Tables,’ carefully tucked-away secrets come to the fore
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Beauty is Pain in ‘Death Becomes Her’
Hawn and Streep are both terrific.
Peterson Reviews 