Tag: Review
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‘My Name is Julia Ross’ Packs a Punch
‘My Name is Julia Ross’ is a multidimensional movie title.
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‘Internal Affairs’ Becomes a Total Blur
‘Internal Affairs’ at first appears poised to be a refreshing anomaly in the cop-thriller genre — a movie just as much interested in offering pulpy fun as criticism.
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‘My Best Friend’s Wedding’ Isn’t What You Think It’ll Be
‘My Best Friend’s Wedding’ throws cold water on the logical insanity so often inherent to rom-com plots.
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‘The Running Man’ is a Silly Media Satire
‘The Running Man’ is too shortsighted for its own good.
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‘Black Moon’: Tedious Experimenting from Louis Malle
Not all viewable mechanisms for artistic growth have to be viewed.
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Florence Pugh is a Knockout in ‘Lady Macbeth’
Decades from now, Pugh’s work in ‘Lady Macbeth’ might garner a sort of ‘legendary starring debut’ status.
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‘Commando’ is a Fun Star Vehicle for Arnold Schwarzenegger
This is paint-by-numbers action at its best: it knows what its viewers expect of it and delivers.
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‘Personal Best’ Takes the Sports Movie to New Heights
‘Personal Best’ accomplishes many things and well, but among the most impressive of its achievements is that is also functions, almost off-handedly, as a paean to the undersung and the could-have-beens.
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The Unpredictable Menace of ‘The Prowler’
‘The Prowler’ is a red herring of a title until it isn’t anymore.
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‘A Chinese Ghost Story’ Feels Like It Could Be Recounted Over a Campfire
Just like how even told-to-death, campfire-baiting ghost stories never truly get old if told the right way, movies like ‘A Chinese Ghost Story’ don’t either.
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‘Trouble in Mind’ is Cold to the Touch
‘Trouble in Mind’ is in a state of used to be.
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‘Logan’s Run’ is an Intriguing Dystopian Thriller
The seriousness of the world-building and concepts is at odds with the look of the movie.
Peterson Reviews 