Tag: Review
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‘Losing Ground’ Makes You Wish We Got More from Kathleen Collins
‘Losing Ground,’ shot for $125,000, is semi-autobiographical for the gone-too-soon director.
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‘Knife + Heart’: Sex and Death
What makes ‘Knife + Heart’ such sleazy fun is how well it mixes pleasure and panic before the darkness becomes inescapable.
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‘Knives Out’ and ‘Honey Boy,’ Reviewed
On a modern-day whodunit and a heartrending autobiography.
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‘Mommie Dearest’ is Excruciating to Watch
Faye Dunaway is like a vacuum in ‘Mommie Dearest’: loud and prone to engulfing everything around her.
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On ‘The Honeymoon Killers’
‘The Honeymoon Killers’ was Kastle’s first movie. It was also his last.
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‘Postcards from the Edge’ Has an Unforgettable Mother-Daughter Pair in Meryl Streep and Shirley MacLaine
The film is imperfect and in ways that should be debilitating. But the writing and the performances cushion the blows.
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‘A Touch of Class’ Feels Like Two Movies
‘A Touch of Class’ could be a nice subversion of old tropes with a biting twist. But instead it’s an update on old tropes with a contrived twist.
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On ‘Crash’
You watch it astonished that Cronenberg not only dared to make it but dared to make it with such artful dedication.
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‘The Lighthouse’ and ‘The Laundromat,’ Reviewed
A look at the latest efforts from Robert Eggers and Steven Soderbergh.
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Ingrid Pitt Makes ‘The Vampire Lovers’ Worth Watching
Aside from Pitt and the way it gets us to root for a villain, ‘The Vampire Lovers’ isn’t very good on the whole.
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Paul Morrissey and Andy Warhol Do ‘Horror’
On ‘Flesh for Frankenstein’ and ‘Blood for Dracula.’
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‘Critters’: Creepy Crawlies
‘Critters’ is for most intents and purposes a home-invasion thriller, not the roving chase movie one might expect.
Peterson Reviews 