Tag: Review
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Janet Jackson and Tupac Shakur Give You More Than Enough Reasons to Watch ‘Poetic Justice’
On John Singleton’s followup to ‘Boyz n the Hood.’
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‘Spice World’ is a Lot of Fun
These five had a good time with what they once had. The film allows us to dwell in that pocket of time once more.
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‘Trees Lounge’ is Great at Being a Bad Time
What’s most evocative about ‘Trees Lounge’ is that there are no obvious arcs, no excuses for the character, no bouts of for-the-sake-of-misery misery — it has an alive, slice-of-life quality about it that haunts.
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‘Thriller — A Cruel Picture’ Doesn’t Know What It Wants to Accomplish
Notes on a big inspiration on ‘Kill Bill.’
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The Growing Pains of ‘Welcome to the Dollhouse’
Todd Solondz has fashioned a great cinematic Bildungsroman.
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‘The Wicker Man’ is a Nightmare You Can’t Wait to Revisit
Unlike in the movie, where an “appointment” with the eponymous structure is, spoiler alert, unappealing, any appointment with any copy of ‘The Wicker Man’ sounds conversely appealing
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The Subjects of ‘Boys Don’t Cry’ Deserve Better
This well-intentioned biopic is bristled with distortion and damaging excision.
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On ‘Naked Lunch’
Not uncommon for Cronenberg, who often makes apolcalyptic-feeling movies in which sense is never among the top priorities, ‘Naked Lunch’ is never rational.
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Forces of Personality
On ‘Boudu Saved from Drowning’ and ‘Elena and Her Men.’
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A New Kind of Rock Doc
On ‘Justin Bieber: Never Say Never,’ ‘Katy Perry: Part of Me,’ and ‘One Direction: This is Us.’
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‘The Dead Don’t Die’ is Minor Jim Jarmusch
The film, by its end, makes for a collection of exceptional performances and jokes strung together by an allegory whose center doesn’t hold.
Peterson Reviews 