Tag: Review
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‘To Live and Die in L.A.’ and ‘Cruising,’ Reviewed
Two neo-noirs from William Friedkin.
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‘Love Jones’ Deserves More
Theodore Witcher’s 1997 rom-com shouldn’t be relegated to cult-classic status.
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‘Bombshell’: What Shell?
While ‘Bombshell’ doesn’t altogether ignore the ideologies rampant among Fox News figureheads, the film is more committed to glossing over truths and selective veracity.
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Greta Gerwig’s ‘Little Women’ Already Feels Like a Classic
There’s a lot of just-right pessimism in ‘Little Women,’ yet it doesn’t feel like a pessimistic movie.
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‘Two Lovers’ and ‘High Art,’ Reviewed
Two movies about dysfunctional romance.
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‘Fargo’ Never Gets Old
The actors, at the top of their respective games, ably straddle the line between the silly and the solemn.
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The Flesh-and-Blood Spectacle of ‘Desperado’
I hope that for its makers and stars, the burned hair and bonked heads were worth it.
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‘Philadelphia’ Unfolds from the Less-Worthwhile Perspective
Some things are strikingly emotional; some are strikingly tone deaf.
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Bedtime Stories
‘Body of Evidence,’ ‘Dangerous Game,’ and ‘Evita,’ reviewed.
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‘The Mask of Zorro’: A Satisfying Throwback
The film is a delightful pastiche.
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‘Losing Ground’ Makes You Wish We Got More from Kathleen Collins
‘Losing Ground,’ shot for $125,000, is semi-autobiographical for the gone-too-soon director.
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‘Knife + Heart’: Sex and Death
What makes ‘Knife + Heart’ such sleazy fun is how well it mixes pleasure and panic before the darkness becomes inescapable.
Peterson Reviews 