Tag: the classics
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‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ is an Endurance Test with Big Rewards
Not a minute of ‘Jeanne Dielman”s three and a half hours feels inessential.
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The Youthful Chaos of ‘Stolen Kisses’
François Truffaut employs on his young protagonist the unmistakable sort of sympathy one might give themselves when reflecting on what they were scared of, what their failings were, when they were younger and searching for a sense of self.
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Firestarting
On ‘The Human Voice.’
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I Feel It All
On ‘Daisies’ and ‘Valerie and Her Week of Wonders.’
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‘A Page of Madness’ is a Movie in a Dream State
‘A Page of Madness’ is disorienting from the outset.
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‘Memories of Murder’ is an Exemplary Police Procedural
Writer-director Bong Joon-ho, doing masterful work in what was surprisingly only his second feature film, assiduously avoids offering a familiar “one bad apple” argument.
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‘The Long Good Friday’ is a Perfect Gloomy Mob Drama
Bob Hoskins, masterful, manages to make us care about a man who is for all intents and purposes ruthless and blackhearted.
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On ‘Ghost Dog’
This is a movie where you’re more interested in watching Ghost Dog move about life than you are where the narrative takes you.
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‘The Day the Earth Stood Still’ is Top-Tier Sci-Fi
Disheartening final sentiment aside, ‘The Day the Earth Stood Still’ is among its era’s most assuredly made, thoughtful science-fiction movies.
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She’s Got It
On ‘The Girl Can’t Help It.’
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‘Danger: Diabolik”s Eye-Catching Comic-Book Style
At times the movie suggests a fashion magazine’s idea of pulp storytelling.
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‘Truck Turner’ is a Spirited Showcase for Isaac Hayes and Nichelle Nichols
‘Truck Turner’ is a spirited and exciting movie; it’s made additionally appealing and distinctive because of Hayes’ soundtrack.
Peterson Reviews 