Tag: the classics
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Vibrations
On ‘Monterey Pop’ and ‘Woodstock.’
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‘Trees Lounge’ is Great at Being a Bad Time
What’s most evocative about ‘Trees Lounge’ is that there are no obvious arcs, no excuses for the character, no bouts of for-the-sake-of-misery misery — it has an alive, slice-of-life quality about it that haunts.
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The Growing Pains of ‘Welcome to the Dollhouse’
Todd Solondz has fashioned a great cinematic Bildungsroman.
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‘The Wicker Man’ is a Nightmare You Can’t Wait to Revisit
Unlike in the movie, where an “appointment” with the eponymous structure is, spoiler alert, unappealing, any appointment with any copy of ‘The Wicker Man’ sounds conversely appealing
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On ‘Mikey and Nicky’
Notes on Elaine May’s unconventional buddy comedy.
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On ‘Once Upon a Time in Hollywood’
Notes on Quentin Tarantino’s 2019 epic.
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Private Eyes
‘Claire’s Camera’ is an epigrammatic 69 minutes, yet its short running time isn’t synonymous with sketchiness or lazy economy.
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On ‘Amazing Grace’
At the center of this church, Aretha Franklin creates not just a feeling of home and unity but announces herself as the closest thing to a divine being personified in that place and that moment.
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‘Homecoming’ is Overwhelming
‘Homecoming’ is undoubtedly one of the great rock docs, joining the pantheon of genre definitives like ‘Stop Making Sense’ and ‘Sign ‘o’ the Times.’
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Julianne Moore is Sublime in ‘Gloria Bell’
Moore, giving one of the great performances of her great-performance-heavy career, inspires such empathy that there came a point in the movie where I noticed that my facial expressions almost exactly matched the ones she was giving on screen.
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‘The Decline of Western Civilization’ Evocatively Captures a Moment
Much would change by the time ‘The Decline of Western Civilization,’ premiered in the summer of 1981.
Peterson Reviews 