Category: the classics
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‘Brown Sugar’ Feels Like a Classic Before You’ve Even Finished It
‘Brown Sugar’ is one of the best romantic comedies of its decade.
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‘Sudden Manhattan’: A Charming Debut from Adrienne Shelly
‘Sudden Manhattan’ is one of the best elucidations of being in your mid-20s and thinking everything is hopeless — including yourself — I’ve seen in a long time.
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‘Vera Drake’ is Devastating
The arc of ‘Vera Drake’ engenders some thriller-like tension but never rises into the sensationalism it easily could.
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‘Duelle’ Feels Neither Here Nor There
This is a willfully unpindownable gambol of a movie whose mysteriousness and dream-like quality are hypnotic virtues rather than alienating setbacks.
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‘Bacurau’: Thoughtful Thrills
Filho and Dornelles seamlessly prop up fun without curtailing the very-real horrors of colonialism and political malfeasance their story evokes.
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In ‘A Hero,’ A Good Deed Goes Bad
In ‘A Hero,’ an act of good samaritanism slowly morphs into what feels like the onset of a curse.
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‘Night Moves’: It’s Hard to Be a Hero
The most interesting thing about ‘Night Moves’ is not the details of its snarled-up narrative but the psychological and emotional complications that inform it.
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‘Get Shorty’: A Loan Shark’s Hollywood Dreams
‘Get Shorty’ is such a breezy movie that even the violence has a levity.
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Torment
On ‘The Lost Daughter’ and ‘The Humans.’
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‘The Matrix Resurrections’ is Full of New Life
On Lana Wachowski’s new sequel.
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‘Broadcast News’ is a Great Romantic Comedy
Nothing exists in a simple binary in Albert L. Brooks’ dazzling 1987 comedy.
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‘Mishima: A Life in Four Chapters’ is an Exhilarating Biopic
You don’t finish ‘Mishima’ with a holistic sense of who this man was. That doesn’t seem to be what Schrader has in mind, anyway.
Peterson Reviews 