Category: the classics
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Overnight Success
‘The Barefoot Contessa’ is among the most pessimistic dramas about film stardom ever made.
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Upheavals
On ‘House of Gucci’ and ‘Belfast.’
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‘The Cell’ Gives New Meaning to the Psychological Thriller
‘The Reflecting Skin’ has two ways of seeing.
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She’s Not There
On ‘Titane’ and ‘The Mad Women’s Ball.’
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In the House
‘Tenebrae’ is about as personal as a slasher movie can get.
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‘The Straight Story’ is a Surprisingly Sweet Effort from David Lynch
I’ll admit that I teetered on the verge of tears for almost all of ‘The Straight Story.’
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The Lull of the Road in ‘Two-Lane Blacktop’
The evocative ‘Two-Lane Blacktop’ is most interested in the road’s dreamy monotony and the spell it can put you under.
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Voices
On ‘Annette’ and ‘Respect.’
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‘The Miracle of Morgan’s Creek’ is as Nightmarish as it is Goofy
The action in the screwball comedy ‘The Miracle of Morgan’s Creek’ is so unfalteringly goofy that we sometimes forget that its premise is fundamentally nightmarish.
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Nothing Sacred
On ‘What’s Up, Doc?’
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‘The Stranger’ is a Family-Reunion Drama with the Lift of a Thriller
‘The Stranger’’s subversiveness, unexpectedly, lies in its optimism — its unspoken plea for open-heartedness.
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Ghosts
On ‘The Trial’ and ‘The Immortal Story.’
Peterson Reviews 