PETERSON REVIEWS
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Walk on the Wild Side
The thematically rich ‘Cat People’ remains a high-water mark for 1940s horror.
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The Family That Stays Together
‘The Monkey’ and ‘Vermiglio,’ reviewed.
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Outgoing Grand Cinema Leader Philip Cowan: ‘I’m Ready to Step Away’
For South Sound: Retiring later this year after nearly 20 years in the role, the executive director of the Tacoma organization discusses the accomplishments he’s most proud of, favorite memories, and why he wouldn’t necessarily call himself a film buff.
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‘Antiporno’’s Productive Unsexiness
Sion Sono’s sui-generis 2016 feature abrasively and abstractly critiques the cultural and cinematic limitations — particularly as they relate to sexual expression — placed on women.
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‘Lisa’ is a Hidden Slasher-Movie Gem
The lived-in mother-daughter relationship at the center of co-writer and director Gary Sherman’s 1990 movie eclipses its conventional slasher-movie B plot.
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‘Habit’ Isn’t Your Average Vampire Movie
The 1997 not-quite-horror film, written, directed, and edited by star Larry Fessenden, is intriguingly slippery.
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Short Takes: ‘Bridget Jones: Mad About the Boy,’ ‘Universal Language,’ and ‘Paddington in Peru’
For South Sound: New movies from Michael Morris, Matthew Rankin, and Dougal Wilson, reviewed.
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‘The Fourth Man’’s Stylish Misdirections
On the cusp of his American breakthrough, Dutch filmmaker Paul Verhoeven’s 1983 movie is a stylish, quasi-parodic precursor to his own ‘Basic Instinct.’
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The Stupid Pleasures of ‘Malice’
Though this twisty-turny domestic thriller gets increasingly ridiculous, it’s never boring.
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Poulsbo’s New Film Challenge is Putting Local Creatives to the Test
For South Sound: The husband-and-wife duo behind the Poulsbo Film Festival and the Away with Words bookstore is kicking off the 47.7-Hour Film Challenge on Feb. 28.
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‘The Perfect Guy’ Goes Through the Erotic-Thriller Motions
Sanaa Lathan is stranded in David M. Rosenthal’s lethargic ‘Fatal Attraction’ knockoff.
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‘I’m Still Here’ is a Devastating Family Drama
For 425: Fernanda Torres is outstanding as a matriarch coming to terms with a cruel truth.
DECEMBER 2025
The Theme is ‘Wild Cards’
ASDFJHGSD
More Than You Know
On ‘The Fabulous Baker Boys.’
November 6, 2025
October 27, 2025
September 17, 2025
Do the Right Thing
Abbas Kiarostami’s Koker trilogy-commencing ‘Where is the Friend’s House?’ empathetically sees the world through a particularly well-meaning child’s eyes.
November 12, 2025
Get Shorty
It doesn’t matter that Howard Hawks’ 1946 adaptation of ‘The Big Sleep’ doesn’t make any sense.
September 15, 2025
Candy Land
Jacques Rivette’s free-wheeling 1974 epic ‘Céline and Julie Go Boating’ is charmingly confounding.
August 28, 2025
Peterson Reviews 