PETERSON REVIEWS
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Misery Business
‘Splitsville’ and ‘Caught Stealing,’ reviewed.
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Candy Land
Jacques Rivette’s free-wheeling 1974 epic ‘Céline and Julie Go Boating’ is charmingly confounding.
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The Nasty, Brutish, and Short ‘Three on a Match’
This entertaining, bite-size soap is almost absurdly bleak.
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The Late-Period Hits and Misses of ‘Honey Don’t!’ and ‘Highest 2 Lowest’
For 425: New movies from Ethan Coen and Spike Lee, reviewed.
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Crispin Glover Isn’t the Best Thing About ‘Rubin & Ed’
Despite giving the flashiest performance in Trent Harris’ giddily weird comedy, it’s the lower-key Howard Hesseman who runs away with the movie.
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Avery Cochrane’s Pop Confections
For 425: The Seattle-based singer-songwriter discusses her new single, her artistic process, the perils of social media, and what inspires her.
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Paths of Resistance
‘A Special Day,’ Ettore Scola’s moving, antifascist two-hander from 1977, features stunning work from Sophia Loren and Marcello Mastroianni.
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The Powerful Testimonies of ‘Sudan, Remember Us’
Journalist and filmmaker Hind Meddeb’s latest project is an indispensable, multiperspective account of resistance.
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‘The Five Heartbeats’ Invigorates the Biopic Form
Director-star-co-writer Robert Townsend’s initially shrugged-at, decades-spanning drama about the lives and careers of Black, 1960s vocal-group members is lovable even when it’s employing genre clichés.
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‘Powwow Highway’ is an Exemplary Road Movie
A Martinez and Gary Farmer are terrific in Jonathan Wacks’ 1989 comedy-drama.
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The Boundless Energy of ‘She Shoots Straight’
Corey Yuen’s 1990 revenge thriller is a masterclass in action filmmaking.
SEPTEMBER 2026
The Theme is ‘Based on an Article’
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In ‘Menus-Plaisirs – Les Troisgros,’ It’s All in the Process
Revisiting Frederick Wiseman’s 44th documentary, which trains its gaze on the Troisgros family and its various culinary pursuits.

August 19, 2026

May 25, 2026

May 13. 2026

Strong, Stoic Types
Director-star Paul Newman’s 1971 treatment of Ken Kesey’s ‘Sometimes a Great Notion’ perceptively observes the corrosiveness of toxic masculinity.
August 7, 2026
Working Girls
‘Broken Mirrors,’ Marleen Gorris’ 1984 follow-up to her still-transcendent feminist drama ‘A Question of Silence,’ expands on its predecessor’s themes while dramatically improving on its writer-director’s aesthetic command.
July 9, 2026


Found Connections
Donna Deitch’s ‘Desert Hearts’ was a breakthrough for lesbian representation in cinema. It also achieves another rarified thing: Characters who feel like they exist outside a screenplay’s bounds.
June 30, 2026












